Borrowing another voice or the Cyrano complex by Julie Vatain

“…It then enquires into the processes implied in the translation of such a wide vocal range for foreign actors, questioning the relationship of the audience to the foreign and the familiar, and considering the paradigms of hiding and revealing one’s voice which are involved in writing, acting and translating a play.…”
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THE UNHEARD VOICES IN PSALMS 90, 91, AND 92 by N.L. deClaissé-Walford

“…This article outlines the placement of Psalms 90, 91, and 92 in the overall “shape” of the book of Psalms, examines their interconnectedness, discusses in detail various key Hebrew words and phrases, and demonstrates that we may hear within the three psalms the often neglected voices of Israelite women who were key actors in the Exodus from Egypt, the Babylonian Exile, and the Postexilic community. …”
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Realising health justice in Palestine: beyond humanitarian voices by James Smith, Sara el-Solh, Layth Hanbali, Sawsan Abdulrahim, Sali Hafez, Samer Abuzerr, Bram Wispelwey, Mads Gilbert, Mohammed Seyam, Bassam Abu Hamad, Dorotea Gucciardo, Fahd Haddad, Rasha Khoury, Amira Nimerawi, David Mills, Ghassan Abu-Sittah

“…In this paper we offer a three-part critique of a May 2024 commentary by Karl Blanchet and colleagues, ‘Rebuilding the health sector in Gaza: Alternative humanitarian voices’ (Blanchet et al. in Confl Heal 18:42, 2024). …”
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"Seeing the voices": Egyptian Jews from one shore to another by Michèle Baussant

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Desdemona’s changing voices: from the “Willow Song” to the “Canzona del Salice” by Chantal Schütz

“…The Willow Song in Shakespeare’s Othello involves a complex intertwining of mimetic processes: a boy actor enacts the female Desdemona, who imitates a maid called Barbary singing an old ditty, while the original singer referred to herself as a singing (or sighing) lover sitting at the foot of a tree. …”
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Mapping provider and consumer voices using the AACTT framework: a focus group study of advance care planning by Lisa Guccione, Stephanie Best, Sonia Fullerton, Sanchia Aranda, Jill J. Francis

“…This approach enables a thorough examination of what is working well and what needs to be optimised. The action, actor, context, target, time (AACTT) framework provides a consistent approach to identifying key elements such as ‘who’ (actor) does ‘what’ (action), ‘where’ (context), ‘to or with whom’ (target) and ‘when’ (time). …”
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Harnessing the Power of Citizen Science for Agroecological Transitions: The Case of the One Million Voices of Agroecology Initiative and Digital Platform by Lisa Elena Fuchs, Lily Cannell van Dien, Maria Rosa ‘Rosy’ Mondardini, Ma Estrella ‘Esther’ Penunia, Irish Baguilat, Sergio Iván Larrea Macías, Marcelo Soares Souza, Eduardo Fernandes Formighieri, Murilo Gelain Gonçalves, Rodrigo B. Westphalen, Vitória Pimentel, Fabio Ricci, Daria Levina, Matthias Geck

“…The One Million Voices (OMV) citizen science initiative aimed to harness the power of citizen science to support agroecological transitions globally. …”
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La dimension vocale de la propagande by Oksana Bulgakowa

“…This article situates the voices of the speakers in the vocal landscape in the Soviet Union of this time as represented by the public voice of political figures and the professional voice of radio announcers and film actors. …”
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Bouches béantes et voix blanches dans le théâtre de Howard Barker by Vanasay Khamphommala

“…If this ideal voice is to be heard, theatre must first create an empty space in which it can resonate: it is this process of emptying out that is finally examined, on the page, on the stage, in the actor.…”
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Enduring elites in quoted sources: Institutional alignment in Finnish media, 1999–2018 by Seuri Olli, Koivunen Anu, Levola Henna, Mäkelä Eetu

“…Focusing on four Finnish news outlets from 1999 to 2018 (a daily newspaper, a news agency, a tabloid, and a public broadcaster), we analyse the essential gatekeeping practice of giving voice to actors by quoting them directly or indirectly. …”
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Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

“…A strange alliance thus took place between the poet, the actor, and a voice tradition seemingly very far from the “yeatsian utopia”. …”
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À quel corps appartient cette voix ? Quelle voix est parlée par ce corps ? La disjonction de la voix et du corps comme fondement de la performance dans les spectacles Spectacular,... by Charlotte Bouteille-Meister

“…In three recent productions of the British theatre company Forced Entertainment – Spectacular (2008), Void Story (2009) and The Thrill of It All (2010) – the performance itself the lies in the gap created purposefully between the performers’ voices and their bodies. This can be the gap between the incongruous presence of bodies on stage and the "vocal action" the actors perform, between the vocal but motionless bodies and the moving but silent and pointless image projected on the screen, or between actual sweating bodies and their technically-distorted and therefore artificial voices. …”
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Expectations of refugees in the tragedy of frontiers, the perception of the trajectory and the deafness of rights by Aloisio Ruscheinsky, Corina Nicoleta Tulbure

“…From the methodological point of view, the field notebook and the interviews made it possible to learn about the test subjects living conditions, as they are actors within the constraints of their story. The article proposes to expose the voice of the refugees, their vision and the telling of the bumps in the path to Europe. …”
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Speech and the Right Hemisphere by E. M. R. Critchley

“…Errors of a visuospatial type may occur in the learning process. Ease of learning by actors and when learning foreign languages is achieved by marrying speech with gesture and intonation, thereby adopting a right hemisphere strategy.…”
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„Nie jesteś za młody, żeby zmieniać świat” – studium przypadku zjawiska dziecięcego aktywizmu klimatycznego by Małgorzata Kowalik-Olubińska

“…The voice of children can be heard through petitions, open letters, campaigns, protests and speeches. …”
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The irruption of the political after the pandemic: The case of Panama by Sergio García-Rendón, Jon Subinas

“…The hypothesis is that, although there have been previous protests in the Panamanian nation, there is a before and an after in relation to the one that occurred in July, 2022, in terms of the meaning and scope of the demands of mobilized actors. It was a moment of political irruption, in which those who do not usually have a voice demonstrated that they have one. …”
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INTERNATIONAL THEATRICAL EDUCATIONAL PROGRAM: 25 YEARS OF EXPERIENCE IN MOSCOW ART THEATRE SCHOOL by E. V. Burdenko, I. I. Artsis, N. S. Il'yushchenko

“…The Moscow Art Theatre Semester immerses students-actors in the Stanislavski training method. Daily movement and acting classes are complemented with design, voice, Russian language, and Russian theater history. …”
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Identifikasi Emosi Manusia Berdasarkan Ucapan Menggunakan Metode Ekstraksi Ciri LPC dan Metode Euclidean Distance by Siti Helmiyah, Imam Riadi, Rusydi Umar, Abdullah Hanif, Anton Yudhana, Abdul Fadlil

“…The use of the LPC method as feature extraction gave unfavorable results in this study because the average accuracy was only 31.67% for the identification of all emotions. Voice data used with different sentences, actors, ages, and accents can influence the recognition of emotions, therefore the extraction of features in the recognition of speech patterns of human emotions is very important. …”
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Silences and Accents in the Construction of Gender Violence as a Social Problem in Quito by Paz Guarderas Albuja

“…The analysis demonstrates that the actors and voices that attempted to generate ruptures in the status quo have been silenced, while those that have perpetuated the patriarchal order have become hegemonic.…”
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Les élites de l’ancien régime libyen : reconfigurations politiques en contexte transnational by Soraya Rahem

“…Gradually, the geopolitical transformations brought about by the arrival in power of a new presidency in Egypt in 2014 and by the mobilization of international actors for the resolution of the conflict from Tunisia are allowing the exiled elites to make their voices heard. …”
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