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Consistent movement of viewers' facial keypoints while watching emotionally evocative videos.
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SUMMARY. Ad Reinhardt: A Responsible Eye. Perception and Engagement of the Spectator in the Collages of 1946
Published 2024-12-01Subjects: Get full text
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Ad Reinhardt: Oko Odpowiedzialne. Percepcja i Zaangażowanie Widza w Kolażach z 1946 Roku
Published 2024-12-01Subjects: Get full text
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Dokumenty (wybór Margaux Verdet) / Documents (selected by Margaux Verdet)
Published 2024-12-01Subjects: Get full text
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A bibliometric review of functional ingredients and their efficacy in developing functional biscuits [version 3; peer review: 1 approved, 2 approved with reservations]
Published 2024-12-01“…Introduction Numerous studies have concluded that the functional ingredients benefit human health. Similarly, present times have seen exponential growth in functional food in bakery product segments like breads and biscuits. …”
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Preschool Children’s Audio–Visual Contents: Comparing Value, Educational and Narrative Approaches
Published 2024-12-01“…This type of animation is functional in fostering the identification of the target audience in behavioural patterns linked to everyday life cases. …”
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The Value of Rubbish in Francophone Chinese Art Installations
Published 2024-06-01“…This article investigates the presentation and function of rubbish in transcultural installation art and rethinks the aesthetic value of waste in the broad context of two contemporary theories of cultural production – the anthropology of waste and the cultural history of waste. …”
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Tracing the Divine Office: On Frames and Patterns in Medieval Latin Psalter Manuscripts
Published 2023-11-01“…The aesthetic and content-related keys (or in this case, more appropriately, “patterns”) form a complex visual system through which the manuscript can be made useable for certain practices and through which a specific use is immediately suggested to the viewer. However, the individual patterns and especially the complex systems of visual organisation cannot function if the viewer is not able to link the patterns on the page to the abstract frames (in Goffman’s understanding); on the contrary, it can even be misleading. …”
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Lecture pluridisciplinaire d'un texte télévisuel
Published 2005-11-01“…This article is a contribution to the study of the critical posturing of the television viewer. It proposes three readings of the same public affairs program on Greek television. …”
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The Boundaries of Ethics – Art without Boundaries
Published 2020-01-01“…Findings in the sciences and humanities – neurosciences in focus – are named concerning the perception of art by the protagonists: artist, conservator, art-teacher/promoter and viewer. They document that it is relevant to modify conservation’s function according to human biological conditions including basic human needs. …”
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Kat, ofiara i świadek w "Śmierci i dziewczynie" Romana Polańskiego
Published 2023-12-01“…Also, colors, props, and landscape motifs associated with each character are analyzed to explain their symbolic and dramatic function in the film.…”
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What lies beyond and within humour: A relevance-theoretic approach to propositional meanings in the sitcom Modern Family
Published 2024-12-01“…More specifically, it will be demonstrated that the functions of conveying and/ or challenging of social norms, disclosing character-specific information and providing cultural references aim to strengthen or challenge the viewer’s personal beliefs. …”
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Landscapes as Narrative Commentary in Cormac McCarthy’s Blood Meridian or the Evening Redness in the West
Published 2017-12-01“…Each comprises a static composition that slows the violent action and also functions as a prose poem, rich in allusiveness. Evoking in the reader the perceptual and interpretive modes of a pensive viewer of a painted landscape, these scenes invite us to apply techniques drawn from art criticism to comprehend them as the narrator’s sober meditations on the Glanton gang’s violent enterprise.…”
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Photographic self-fashioning. The role of photography in community-formation by the skagen painters
Published 2025-12-01“…The analysis thus emphasises the importance of the photographic act itself, arguing that the photographs not only function as witnesses to events that have taken place, but that they also convince the viewer of community formation. …”
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Analysis of emotion recognition through 2D micro-animations of an illustrated character's face
Published 2024-12-01“…Expressed emotions provide a better connection between the character and the viewer, making the message more understandable and tangible. …”
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THE DEATH OF ART IN ADORNO'S THEORY OF ANTINOMOUS NATURE OF THE WORKS OF ART
Published 1998-01-01“…The concept of death is to mean that the work is and is not itself, as it is the function of its other-the historical reality. The condition of non-identity lies in the negative relations among the individual moments of a work and a work as a whole. …”
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THE DEATH OF ART IN ADORNO'S THEORY OF ANTINOMOUS NATURE OF THE WORKS OF ART
Published 1998-01-01“…The concept of death is to mean that the work is and is not itself, as it is the function of its other-the historical reality. The condition of non-identity lies in the negative relations among the individual moments of a work and a work as a whole. …”
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Semiotic- Semantic Analysis of Peikar-e Farhād
Published 2024-10-01“…The utilization of this narrative framework in which painting is animated function as a medium of protest against how the presence of women in the society has been shaped. …”
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The relationship between kidney disease and mitochondria: a bibliometric study
Published 2024-12-01“…Background Due to its highly reabsorptive function, the kidney is a mitochondria-dependent organ. …”
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