Cyril-Mickaël CALLEJON (2014), Space opera. 40 ans de science-fiction à la télévision by Vindicien V. Kajabika

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Blockbuster de science-fiction : étendue, extension, morcellement du territoire by Gaspard Delon

“…Since the late 1970s, Hollywood science fiction blockbusters have been an attractive but random investment. …”
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La science‑fiction a‑t‑elle horreur du vide ? Le cas des séries télévisées by Elaine Després, Hélène Machinal

“…If science fiction television series rely on a system of signs that we need to reconstruct, what would be the specificities of these voids and what narrative, interpretive and aesthetic strategies should we use to fill them ? …”
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Les séries de science-fiction au croisement d’un genre fictionnel et d’une forme narrative audiovisuelle by Florent Favard, Hélène Machinal

“…Present on television since its beginnings, science fiction became more visible with each passing decade, benefitting, like other televisual genres, from the increase of the annual production of the televised series, which goes on surpassing each of its « peaks ». …”
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Mettre en jeu le voyage dans le temps : de la réappropriation vidéoludique d’un sous-genre de la science-fiction by Clément Personnic, Yannick Kernec’h

“…The time travel genre might be considered as one the major science fiction themes, maybe a sub-genre in itself on account of the invariable characteristics of its variations in litterature, cinema - starting in the fifties- and more recently in television seriality and video games. …”
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Le docufiction l’Odyssée de l’espèce. Analyse didactique et pistes d’exploitation en classe de terminale S by Yannick Rech, Eric Triquet

“…The evolution of the human lineage is a strong theme of French programs in Life sciences at the college and high school. It is also at the heart of television fictional documentary reporting a narrative scenography. …”
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Alien Monstrosity: The Practice of Technology and “Race” as Technological Construct in Star Trek: Voyager by Nils Jablonski

“…Alongside class, gender and age, race as an elementary category in modern science fiction is particularly apparent in the Star Trek franchise. …”
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Shards of the Glass Ceiling by Svetlana Seibel

“…Perhaps as in no other genre of literature or television, corporate conspiracy themes and corporation critique agendas abound in science fictional narratives. …”
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Neon Genesis Evangelion ou la déconstruction du robot anime by Bounthavy Suvilay

“…In Japan, the growth of manga and cartoons adaptation on television can not be separate from science fiction and the development of the robot anime genre. …”
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D’autres mondes pour d’autres musiques : les dimensions sonores parallèles de The OA (Partie 01) by Jérémy Michot

“…On one hand, by analyzing minimalistc musical textures, they refer to other series as well as science-fiction cinema. On the other hand, showing music and other diegetic sound effects appearing at the heart of the plot, as territories embodied by sound.…”
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