Satire`s techniques in Akbar Eksir`s poets by Yahya Sheikhi, Ahmad Ghanipour Malekshah, SIAVASH HAGHJOU, aliakbar bagheri khalili

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Gulliver and the Gentle Reader by Claude RAWSON

“…The naïve Gulliver’s praise of humanity, as well as his deranged condemnation of it in the final book, are both separate from the implied voice of the satirist, which always makes itself felt. …”
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St. Genevieve in the Revolution : Sylvain Maréchal’s Counter-History by Sheila Delany

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La relation texte-image dans les pièces gothiques by Marion Pouspin

“…In order to print these brochures rapidly et at a lower cost, typographers reused pictures from their stock of engravings. They selected the ones which best correspond – in their view – to the subject dealt with in the booklet, either in connection with a passage from the text, a word used in the title or the printed text, or reflecting the satirical, parodic political or religious tone of the publication, otherwise by comparison or by association of ideas. …”
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“Nay ’tis in grain, I warrant it hold colour”: The Materiality of Black in Middleton’s Black Book by Chantal SCHÜTZ

“…Starting with the satirical Microcynicon and flourishing in the self-referential Black Book, Thomas Middleton’s obsession with black, the colour of ink and atrabile, pervades his non-dramatic texts but also his plays, both tragic and comic. …”
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White Magic, Black Humour: Ella D’Arcy’s Narrative Strategies by Heather Marcovitch

“…Her humorous writing takes the form of satire which depends on a double reading. …”
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Cheesecake Manor, Californie : Raymond Chandler entre roman à énigme et roman hard-boiled by Isabelle Boof-Vermesse

“…The satirical impulse is directed against the American imitation of the British form rather than its original version, revealing Chandler’s strategy to avoid the dead end of imitation. …”
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Pamflet şi satiră în publicistica românească (scurtă istorie a genului, din interbelic şi comunism până în anii 1990–2000) by Andrei Milca

“…In her book A pamphlet’s Anthology (from the Wallachian chroniclers to Pamfil Şeicaru), Magda Răduţă realizes a history of the representative articles of the most important romanian polemists writers and journalists – from the Enlightenment and Romanticism to the 20th Century – which used satire in their works. …”
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Literatura populară în lumina tiparului. Bibliofilie românească în colecţiile Bibliotecii Naţionale a României by Andreea Răsboiu

“…Representing successive vernacular translations and abridgments in many cases of intermediary slavic versions and not very often of the Byzantine, Italian or German original, these writings have blended in with the cultural mentality, folklore and local spirit, achieving authenticity and resemblance to the Romanian real life from that time. This bibliographic study makes reference to adventure or satirical novels, sapiential but laic books, in the same time revealing the reading priorities and practices of the period that should contribute to shaping the intellectual climate and highlight the literary taste of those centuries.…”
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О жанровом своеобразии „Современной идиллии” Михаила Салтыкова-Щедрина by Mark Sokolanskij

“…The article focuses on the genre of Russian satirist Mikhail Saltykov-Shchedrin’s book The Modern Idyll. Special attention is paid to the traditions of a cervantesian type of novel in the book, the ironic code in the title and narration, real objects of bitter political satire, a great number of literary quotations, reminiscences and so on. …”
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Le Peire Rogier de Peire d’Alvernhe revisité par l’auteur de Flamenca : Guillem de Nevers, le troubadour au psautier by Katy Bernard

“…Although it has been established that the words that make up the love dialogue between the novel’s characters, Guillem de Nevers and Flamenca, originated in Peire Rogier’s verses (Ges non puesc en bon vers fallir, sixth cobla) or in those, inspired by the former, by Guiraut de Borneil (– Ai las, com mor ! …”
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The analysis of social application of irony varieties in Atar-e- Nishaburi’sMosibatname by Hassan Soltani kohbanani, kamyar saydi

“…There are many equivalent terms such as sarcasm, satire, quip, ridicule, etc. for it. But not of these equivalents are a comprehensive definition for it. …”
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Newman polémiste et satiriste by Keith Beaumont

“…The source of these two characteristics is to be sought in the circumstances of the composition of most of his published works, namely the various struggles in which he participated throughout his long life. But irony, satire and his typically English form of self-deprecating humour also take on in Newman’s work a psychological and even a spiritual function.This article seeks to illustrate and to analyse these various features in four of his writings : The Tamworth Reading Room of 1840 ; Lectures on the Present Position of Catholics of 1851 ; Discourses on University Education of 1852 (which will become in 1873 the first part of The Idea of a University) ; and the Apologia pro vita sua, particularly in its now little known first edition of 1864 but also in the much revised version of 1865 which forms the basis of all subsequent editions.…”
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B. P. Hasdeu – portretul unui cărturar „generalist” by Stancu Ilin

“…He founded many publications with politic, literary and satiric profile. He is the first in Romanian culture who wrote a book chronicle and a study of comparative literature. …”
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Église et scandales : Trollope ou la condamnation de l’excès by Hervé Picton

“…Until the end of his life he relentlessly inveighed against the abuses of the « high and dry, » that worldly type of clergy he satirized mercilessly, and denounced corruption, idleness and nepotism, along with the shameless exploitation of poor curates. …”
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Parudi's analysis in "Kharestan" by AdibGhasemiKermani by Mohammadreza Heydari, MARYAM KHALILI JAHANTIGH, Mohammad Barani

“…In this research, the most important tool of "Kharestan"; AdibGhasemiKermani's satirical parody (1308-1238 Hijri / 1849-1929 AD) has been studied in two levels of surface structure and deep structure by comparative analysis using library tools, that is, word, form, and meaning.AdibKermani is one of the authors and poets in the field of critical and folklore literature. …”
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