The Emotional Museum. Thoughts on the “Secular Relics” of Nineteenth-Century History Museums in Paris and their Posterity by Felicity Bodenstein

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The Artistic Links of Dora Pejačević and Svetislav Stančić Viewed Through the Stančić Legacy in the Library of the Academy of Music in Zagreb by Vilena Vrbanić

“…Of interest for this topic are boxes 1 and 2 in the archives, in which there are concert posters, programs and reviews of Stančić’s renderings of Dora’s works. …”
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Gone With the Wind, 80 ans d’images. Entretien avec Pierre Berthomieu by Pierre Berthomieu, Emmeline Gros, Marie-Pierre Burquier

“…In an interview with Gaumont’s artistic director Denis Peyrat, a journalist came to the conclusion that “film posters do not obey any miracle recipe.” …”
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Digital Rebirth of Dongba Pattern: An Improved Active Contour Model for Pattern Contour Extraction by Yuan Li, Tao Wu, Rongbing Fu, En Lu

“…Finally, based on the proposed pattern contour extraction method, the design innovation practice of Dongba cultural posters is completed from two aspects: pattern selection and transformation, artistic processing and poster design. …”
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Uruguayan Mural Painting heritage: Patrimonial activation, scientific catalogation and its socio historic repercussion by María Jesús Guirado, Andrea Lage Hermida, Virginia Santamarina Campos, Dolores Julia Yusa Marco, Mercedes Sánchez Pons

“…This poster shows part of the results of the investigation for the project “Planning and establishing an inclusive cultural policy: Uruguayan Contemporary mural Art as a tool for sustainable heritage”. …”
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Suaires de papier : Ernest Pignon-Ernest. Interventions et recouvrance by Liliane Louvel

“…Ernest Pignon-Ernest is a French contemporary artist whose technique consists in printing his (black and white pencils, pen and ink) drawings after great masters (particularly Baroque ones like Caravaggio, but not only) and to stick them up at night on city walls. …”
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From Stone to Seed: Objects and Counter-memory Activism in Brazil amidst Anticolonial Demonumentalizations by Lilian Gomes

“…Statues, street signs, graffiti, posters, and other forms of counter-memory supports are identified as focal points for understanding the relationship between objects, artistic-political practices, and public life. …”
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Transmedial presence of verbal texts in architecture and public space. Between informativity and emotivity by Elżbieta Chrzanowska-Kluczewska

“…Functions of written inserts, inscriptions, signboards, tablets, posters, banners, graffiti, etc. are multifarious. …”
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