La peur du prolétaire et les paradoxes du socialisme shavien dans Widowers’ Houses by Stéphane Guy

“…Beyond the fear that is represented throughout and the dread of capitalism that it seeks to bring about among the Victorian public, the play builds up a dramaturgy of threat, breaking with the fashionable theatres of late nineteenth century London and paradoxically making the proletarian into both a victim and symptom of capitalist immorality.…”
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Les chanteuses à la barre by Mélanie Traversier

“…Singing for opere buffe or opere serie, the female opera singers hired by the Neapolitan public theatres play an important role in promoting the musical prestige of the city. …”
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De la mise au silence à la prise de parole : la voix féminine de Martin Crimp à Sarah Kane by Solange Ayache

“…This article looks at the importance of the voice in Crimp’s and Kane’s texts, focusing on the intervocal and transdramatic space created between their plays around the voice of a woman both central and spectral. …”
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Quais et ouvrages portuaires romains de Rouen/Rotomagus (Seine-Maritime) by Marie-Clotilde Lequoy

“…Without a doubt, the latter played an important role throughout the Roman period. …”
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Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

“…He was one of the earliest organizers of a drama performing company in 1949 to produce his own plays. His career development can be divided into three phases: the formative traditional drama performance phase, the literary drama phase which dovetails into his career as a public servant in a symbiotic relationship and his post public service movie production phase which coincided with the efflorescence of the Nollywood. …”
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La Tentation de saint Antoine de Flaubert et Uspud d’Erik Satie : affinités secrètes et résonances en filigrane by Bruna Donatelli

“…Among the audacious artists who experimented new forms of hybrid art (magic shows, shadow plays, pantomimes, burlesque) in these cabarets, we count also Erik Satie, a great admirer of Flaubert and his works. …”
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Deníky Marie Jany hraběnky Harbuval von Chamaré (1722-1792) by Pavla Janáčková

“…Her everyday notes also inform us about her everyday activities, such as care about household and representation, accountig, travelling, typical aristocratic seasonal entertainmet (going out to theatres, balls, hunting, etc.) and everyday entertainment (visiting other noble persons, playing billiard, card games, chess, etc.). …”
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