« ‘A flat dichotomist’ : Critique marlovienne de la méthode ramiste » by Laetitia Sansonetti

“…Ramus’s fame in England reached such height that he was turned into a stage character in Christopher Marlowe’s play relating the St. Bartholomew events, The Massacre at Paris (1593). …”
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‘Our precious quand même’: French in the Letters of Henry James by Daniel Karlin

“…Henry James travelled extensively in France, lived there for months at a time, and was personally acquainted with many leading French writers; he loved and admired the French novel, the French theatre, and the French critical faculty, not to mention ‘the genius of the French language’. …”
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Santarém, entre la Amazonia de los ríos y la Amazonia de las carreteras by Rubén Valbuena

“…The connection, via the Cuibá-Santarém road, with the Center-West region of Brazil and, via Transamazonian road, with the Brazilian North-East and Western Amazonia, started to play a significant role as articulator of the Northern area. …”
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Shakespeare revisité, entre fidélité et parodie : de La Nuit des Rois à Shake de Dan Jemmett by Isabelle Schwartz-Gastine

“…William Shakespeare himself was a master of re-writing older material as he abundantly used this technique, which was totally justified at the Renaissance, to compose his poems or plays, from various sources whether literary (prose or verse), historical, or any other—and sometimes most unusual—background.The play I am considering in this paper is a very recent re-writing in English by Dan Jemmett (Peter Brook’s son-in-law), but performed in Marie-Paul Remo’s French translation at the Vidy Theatre in Lausanne during the 2001 season. …”
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Methodological Criticism of the Book of Theater History in the Safavid Period by Majid Sarsangi, Sadeq Rashidi, Farhad Amini

“…Finally, by examining the general approach of the work in relation to the historiography of the play, the work’s status is evaluated as an academic work.…”
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Jouer Frankenstein pour les « speculative eyes » ? l’incidence des premières représentations sur l’énergie rhétorique des fictions scientifiques by Rachel Nisbet

“…My contribution to this investigation of science fiction theatre focuses on the early stage adaptations of Frankenstein. …”
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Doubleness on the New York Contemporary Experimental Stage: Bodies and Technology by Emeline Jouve

“…“Doubleness on the New York Contemporary Experimental Stage: Bodies and Technology” explores the representations of bodies in a corpus of plays by New York artists from the “New American Avant-Garde.” …”
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Caregiver’s experiences with a mobile-based educational program and its impact on dietary treatment compliance of children with methylmalonic acidemia: an online survey by Qing Luo, Chunqin Liu, Lizhou Lin, Xuehua Liu, Huifang Chen

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À quel corps appartient cette voix ? Quelle voix est parlée par ce corps ? La disjonction de la voix et du corps comme fondement de la performance dans les spectacles Spectacular,... by Charlotte Bouteille-Meister

“…In three recent productions of the British theatre company Forced Entertainment – Spectacular (2008), Void Story (2009) and The Thrill of It All (2010) – the performance itself the lies in the gap created purposefully between the performers’ voices and their bodies. …”
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Canine Actors and Melodramatic Effects: The Dog of Montargis Arrives on the English Stage by Claudia Alonso Recarte

“…Based on a medieval legend, Le chien was originally written for the Parisian stage by Guilbert de Pixerécourt in 1814, and it immediately attracted the attention of English theatre businessmen. English adaptations soon followed, as translations from a variety of sources were presented before a public mesmerized by the feats of Dragon, the memorable canine character. …”
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Dépossessions : le rôle de la chorégraphie dans A Dance of the Forests et The Bacchae of Euripides de Wole Soyinka by Kerry-Jane Wallart

“…This paper scrutinizes the part played by dancing in two plays by Soyinka where such an artistic practice is rather foregrounded. …”
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Habib Benglia, le « nègrérotique » du spectacle français by Nathalie Coutelet

“…Sensuality always played a great part in the characters he embodied. …”
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L’étude des pyrrhiques d’amphithéâtre sous l’empire : l’apport de l’iconographie by Anne Berlan-Gallant

“…Literary sources, as well as iconographic documents, testify to the introduction in Rome, as part of the programme of amphitheatre performances, of short plays on mythological themes, known as pyrrichae (pyrrhic). …”
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Inmigración asiática y homoerotismo: nuevas configuraciones de la otredad en el teatro argentino actual by Beatriz Trastoy

“…Argentine theatre during the first decades of 20th century staged the cultural and linguistic misunderstandings that European immigration caused in local way of life. …”
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Insurrection and Integration: The Indian “Mutiny” of 1857 and the Theatrical Renegotiation of Ethnic Alterities by Marty Gould

“…The following essay examines the culturally introspective nature of the “Mutiny plays” and their persistent exploration of British nationalism. …”
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Rise of Love and the People: French Matter and Manner in the Early Victorian Drama of Edward Bulwer-Lytton by Ana Fernández-Caparrós Turina

“…The article analyses the French influence in Bulwer’s first dramas that composed his cycle of French history plays, The Duchess de la Vallière (1837), The Lady of Lyons, or Love and Pride (1838) and Richelieu, or The Conspiracy (1839). …”
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Liviu Rebreanu by Ion Simuț

“…By the end of his life, on September 1st, 1944, Liviu Rebreanu attained status as a writer, became a member of the Romanian Academy and director of theatres. He was no doubt a prominent cultural personality of this epoch. …”
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Color and tone color: audiovisual crossmodal correspondences with musical instrument timbre by Lindsey Reymore, Lindsey Reymore, Delwin T. Lindsey, Delwin T. Lindsey

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Insights into CSF-1/CSF-1R signaling: the role of macrophage in radiotherapy by Qingchao Shang, Qingchao Shang, Pei Zhang, Xiao Lei, Lehui Du, Baolin Qu

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Effect of Preoperative Antianxiety Medications on Blood Pressure and Blood Loss in Total Knee Arthroplasty: A Case-Control Study by Zuhdi O. Elifranji, Jihad M. Al-Ajlouni, Munther G. Al-Saber, Yazan S. Hammad, Basel A. Baniatta, Sara N. Alshoubaki, Mohammad S. Jabaiti, Ahmad M. Alkhatib, Abdelrahman M. Abu awad, Abdelrahman E. Altarazi, Aseel N. Abdin, Abdallah Al-Ani, Mohammad Ali Alshrouf

“…Preoperative oral antianxiety drugs (bromazepam) helps in controlling hemodynamic changes associated with anxiety, including maintaining BP in well-controlled hypertensive and healthy patients undergoing TKA, and it plays a role in decreasing the total blood loss.…”
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