Healthcare in the era of climate change and the need for environmental sustainability by Nicholas Chin Hock Tee, Jo-Anne Yeo, Mahesh Choolani, Kian Keong Poh, Tiing Leong Ang

“…Knowledge of the health-related burden of climate change and the potential transformative health benefits of climate action is important to all health professionals, as they play crucial roles in effecting change. This article summarises the available literature on the impact of healthcare on climate change and efforts in mitigation, focusing on the intrinsic differences and similarities across the operating theatre complex, intensive care unit and gastrointestinal endoscopy unit. …”
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The Importance of Being Earnest (1895) by Oscar Wilde: Conformity and Resistance in Victorian Society by Brigitte Bastiat

“…The Importance of Being Earnest (1895) by Oscar Wilde is a popular play that is still widely performed in English-language theatres and also in many other languages. …”
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« Il y avait quelque chose de puissant qui pouvait être livré sur scène… ». Entretien avec Ron Fogelman sur la pièce La Quatrième Dimension. by Martin Parsons, Ron Fogelman

“…An exploration of the creative path of a sci-fi play...…”
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Powidoki twórczości Federica Felliniego w "Mieście Snu" Krystiana Lupy by Katarzyna Gołos-Dąbrowska

“…One of the themes of the play is the process of making a fictional documentary film by the Italian director. …”
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Les Souffleurs d’images by Joan Despéramont

“…The Souffleurs d’Images programme was developed by the Centre Recherche Théâtre Handicap in 2008 to make the performing arts accessible to the visually impaired students of its drama school, Acte 21. …”
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Le Paradoxe de la comédienne : Peg Woffington selon Charles Reade by Laurent Bury

“…In 1852, in his play Masks and Faces, or Before and Behind the Curtain and his novel Peg Woffington, Charles Reade chose as his heroine the British actress Margaret Woffington (1714-1760), whom he showed on stage but especially off stage. …”
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Settled by David Mann

“…The idea of the ‘borrow pit’ in the story is made in reference to South African theatre-maker Jemma Kahn’s 2018 play The Borrow Pit. …”
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“As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception by Pierre Iselin

“…As in other Shakespearean late plays, The Winter’s Tale, the question of art and the theatre is central, here especially in terms of reception and interpretation, then of hermeneutics. …”
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Borrowing another voice or the Cyrano complex by Julie Vatain

“…The voices in Tina Howe’s theatre run the gamut of register, from inarticulate or animal sounds to impassioned monologues and quoted verse. …”
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И. Тургенев как протомодернист. Пьеса „Месяц в деревне” в контексте цикла эссе К. Гринберга „Защита модернизма”. Предвестие нового художественного стиля... by Beata Waligórska-Olejniczak

“…Treating the aforementioned drama as the model piece of Turgenev's dramaturgy we focus on the parametres which build up the openness of the play, emphasise the innovative character of the text in the context of the changes of the Great Theatre Reform. …”
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Les tours de la machine et les détours du langage : Le Marchand de Venise mis en scène par Luca Ronconi by Carole Guidicelli

“…Within the spirit of the Renaissance these machines were a meaningful addition to the operation of the Italian stage: by cutting and segmenting the scenic image thanks to the positioning of the curtains and frames, Luca Ronconi thus constructs the spectators’ point of focus on the play.…”
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Poétique/Politique de l'artifice dans Richard II by Pierre Iselin

“…With its chiasmic architecture of inversion, Shakespeare’s play can be seen not only as the mannerist treatment of a medieval diptych, but also as a study in perspective, where meaning and reception are instable, roles liable to reversibility — a poetic reflection on the theatre of politics.…”
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„Das Leben als Theater”. Afisze niemieckiego Teatru Miejskiego w Poznaniu w zbiorach Biblioteki Raczyńskich by Agnieszka Urbańska

“…The sheer time span of this continuously documented history of Poznań theatre makes it possible to carry out an analysis of the changing repertoire of staged plays, actors’ staff members and art leaders, but also that of the pattern for the theatrical posters, graphical elements or the material used for their production. …”
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Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle by Anna Street

“…Following a summary account of the principal challenges faced by theatrical representations of the immigrant’s plight, this article provides a close-reading analysis of Joe Murphy and Joe Robertson’s play The Jungle and its attempts to recreate a restaurant that existed in the refugee and migrant camp in Calais by the same name. …”
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Raconter le territoire sur la scène, dépasser les frontières par la scène by Najla Nakhlé-Cerruti

“…The collective’s experience was formalized in 2017 with the staging of their first play, Other places (amākin ukhra). This vast project, begun as a reflection upon conditions peculiar to the theatre in Palestine, where mobility restrictions threaten the very survival of theatrical entertainment, whether for writing or performance. …”
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Le Songe d’une nuit d’été de Benjamin Britten : Nouvel éclairage scénique de l’héritage shakespearien by Maéna Py

“…He thus managed to create an innovative dramatic art capable of paving the way for other theatrical dramatic arts and for a different reading of Shakespeare’s plays, both in the opera and the theatre. By insisting on the sensuality and the physical dimension of the play and on its capacity to celebrate drama and all theatrical arts, Britten seems to have been at the centre of an aesthetic and ideological renewal which was to be carried on later by Jan Kott and Peter Brook, among others, thus making him an important figure in the history of the performances of Shakespeare’s masterpiece.…”
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« Base Phrygian Turk! »  Injures et « espèces de… » : analyse microscopique d’un étrange spécimen shakespearien by Nathalie Vienne-Guerrin

“…Studying the representation of the Islamic world in Elizabethan society and theatre, we show that far from being a mere “pistolism”, this insult suggests that Falstaff “turns Turk” in this play.…”
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Obscene beasts: the stage behind the scenes in A Midsummer Night’s Dream by Mathilde La Cassagnère

“…Such is the challenge faced by the amateur company of mechanicals who are producing the love tragedy of Pyramus and Thisbe, A Midsummer Night’s Dream’s play within the play featuring a fearful lion. For all the efforts the mechanicals have engaged in the project, their rendition of the lion is such a failure that it has the on-stage spectators roar with laughter. …”
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Infection Rates in Open Fractures of the Tibia: Is the 6-Hour Rule Fact or Fiction? by Ameya S. Kamat

“…Initial basic interventions may play more of a role in limiting the risk of infection.…”
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The Hybridity of Popular Culture in The Winter’s Tale by François Laroque

“…In his foreword to The Faithful Shepherdess (1609), John Fletcher blames the crass popular tastes of his theatre audiences for failing to respond properly to the new genre of tragicomedy. …”
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