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- Theater 1
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Lieu partagé, jeu magnifié : protocole spectaculaire à la pré-Renaissance anglaise
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La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX
Published 2009-12-01“…As the above mentioned authors re-write the sainete, their goal is to represent the opposite effect of that in the 1920’s, their plays showing the decadence of the early social model.…”
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„Occisio Gregorii Vodae…”, între document şi prelucrare literară
Published 2013-12-01“…It is then argued that it, in fact, is a mascherata (masquerade), which owes much to the Italian Renaissance tradition of carnival shows bearing this generic name. The Romanian play is more similar to such works than to the Baroque theatre, which had previously been the preferred solution of Romanian researchers of the past decades. …”
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La primera obra de temática migratoria en el teatro mexicano : Los que vuelven, de Juan Bustillo Oro
Published 2009-12-01“…These two authors wrote and produced plays that have become classics of engaged theatre. …”
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Beyond Verbatim: Embodied Truth and the Limits of Language in House Arrest
Published 2024-09-01Get full text
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The Spatial-Temporal Canvas That We Call the Stage: Text and Performance in Final Solutions
Published 2024-09-01“…Using a comparative analysis of the stage directions in the play-text by Dattani and a stage production by the Delhi-based Asmita Theatre under the direction of Arvind Gaur, it foregrounds Dattani’s extravagant and complex construction of the stage. …”
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Memory and Recalling in Shelagh Stephenson’s The Memory of Water
Published 2023-03-01Get full text
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Truth's a Dog Must to Kennel by Tim Crouch
Published 2023-09-01“…This is a review of Truth’s a Dog Must to Kennel (2022) by the contemporary British theatre practitioner Tim Crouch. Premiered at the Royal Lyceum Theatre as a part of the Edinburgh Fringe Festival in 2022, the play is a direct outcome of Crouch’s experience, both as a human being and a theatre maker, of the COVID-19 pandemic and his thoughts on the death of theatre as an art form during the pandemic. …”
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“They willfully themselves exile from light”: Exile in Space, Stage and Metatheatre in William Shakespeare’s A Midsummer Night’s Dream
Published 2023-09-01“…The research merges semantic investigations with the semiotics of theatre. Dealing with the matter of exile both from the lenses of literary and theatrical studies offers broader perspectives to understand the play’s nuances and complexities.…”
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Deconstructing the Politics of Linguistic Mutation in Tom Stoppard’s Dogg’s Hamlet, Cahoot’s Macbeth
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”If you don't care you’ll die” : The Concept of “Liveness” in Arnold Wesker’s Chicken Soup with Barley and John Osborne’s Look Back in Anger
Published 2023-09-01“…The phenomenological concept of “liveness” has a long-standing relationship with theatre and performance studies. This relationship has primarily been limited to questions of ontology; namely, what constitutes the ephemeral nature of theatre and what counts as “liveness” in performance in an increasingly digitised age. …”
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Cruelty and Tragedy: Cathartic Journey in Peter Shaffer's Equus
Published 2024-10-01“…As Antonin Artaud argued in Theatre and Its Double, the theatre of cruelty aims to arouse a therapeutic effect in order to discharge the negative feelings of the audience. …”
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Handbag de Mark Ravenhill (1998) : réincarnation de The Importance of Being Earnest à la fin des années 1990
Published 2010-12-01“…This article focuses on a version of The Importance of Being Earnest which, paradoxically, brings the body centre-stage. The play Handbag by Mark Ravenhill (one of the quintessential writers of so-called “in-yer-face” theatre), first produced at the Lyric Theatre, Hammersmith, in 1998, is a rewriting of The Importance of Being Earnest which shifts the emphasis from the verbal to the physical. …”
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Une promise pour la licorne : quand Denis Johnston crève l’horizon de la scène irlandaise
Published 2014-06-01“…Unlike his first two plays, Denis Johnston’s A Bride for the Unicorn, produced in 1933 at the Gate Theatre in Dublin, was not a success. …”
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“What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker
Published 2016-07-01“…This article analyses the analogies between Howard Barker's theatre of Catastrophe and the abject as defined by Julia Kristeva in Powers of Horrors through the study of Found in the Ground, a play where there are many animals on the stage. …”
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Le singe-soldat de Woyzeck
Published 2020-12-01“…Through the phenomenon of theatre within the theatre, the monkey disguised as a soldier symbolizes the fair’s audience, composed mainly of soldiers. …”
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