Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage by Vicky Angelaki

“…The essay discusses Tim Crouch’s recent play The Author (2009) in the context of active listening, audience participation, response and responsibility in contemporary theatre. …”
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Jacobean Morality and Moral Performativity in Volpone and Women Beware Women by Gül Kurtuluş

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Performing Grief Inconsolable: Land, Lament and Love in Marina Carr’s Portia Coughlan by Vicky ANGELAKI

“…As the essay argues, the play’s recent revival at London’s Almeida Theatre (2023), directed by Carrie Cracknell, designed by Alex Eales and featuring Alison Oliver in the lead role, made a considerable contribution towards highlighting the roots of discomfort as well as the embodied experience of Carr’s eponymous heroine, towards emphasising concerns of grief and inconsolability, but also towards asking how consolation and agency may be conceivable for spectators within an environmentally focused staging and reading of the play. …”
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Mechanisms of co-presence in repetitive drama studio performances by Željka Flegar, Grozdana Lajić Horvat

“…The mentoring is present both outside and inside the play as mentors guide their students, assume some of the roles, and provide a meaningful framework and direction of the play. …”
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To Come Out or Not to Come Out: Queer Coming Out in Nine Lives by Zodwa Nyoni by Emre Ozmen

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Gender and Generic Clashes in The Years Between (Compton Bennett, 1946) by Nicole Cloarec

“…Because of the enduring success of her novels and her short stories, Daphne Du Maurier is not immediately associated with the theatre except through her father. The Years Between, her first original play, was, however, a popular success. …”
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Voix soufflées, voix volées, voix intervocales by Helga Finter

“…This article goes against the grain of the vision of the new American theatre as a “theatre of images” (Bonnie Marranca), to which it substitutes an analysis of the theatricalization of voice. …”
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Créer des formes, inventer des faires by Fabienne Wateau

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On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell by Emeline Jouve

“…This article explores the representations of violence in Susan Glaspell’s play first produced by the Provincetown Players, the amateur theatre group that Glaspell and her husband, George Cram Cook, founded in 1915. …”
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Madame de Genlis on the Victorian Stage by Juan Manuel Ibeas Altamira

“…Beyond an aristocratic audience, other types of theatre-goers’ sensibilities were alluded to in plays such as The Palace of Truth, W. …”
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Tempering Feydeau: Twisting and Guilty Pleasures on the London Stage (1893-1897) by Violaine Heyraud

“…Beginning in 1892, Feydeau established himself in France as the new master of vaudeville comedy. London theatres surrendered to his infectious laughter, producing a number of his plays between 1892 and 1897, though admittedly, carefully selected: The Sportsman, adapted from Monsieur chasse! …”
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Les interactions entre la dramaturgie et la conception des images au Moyen Âge. by Claire Bonnotte

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Microestructuras en los autos sacramentales de José de Valdivielso: un camino hacia Calderón by Enrique Duarte

“…The main studied paradigms are the announcements, spells, tales, songs (with the important role Music has in the sacramental plays) and topoi, those common places that readers used to this kind of allegorical theatre finds in different authors.…”
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"There’d always be something left" : (im)matérialité de la ville dans Hughie de Eugene O’Neill by Aurélie Sanchez

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José de Egon Wolff : el retorno de un emigrado inconformista by Osvaldo Obregón

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El teatro como ámbito de resistencia : identidad, inmigración y exilio by Silvina Díaz

“…In the construction of a modern Argentina, inmigration plays a very important role. In the case of theatre, two different movements -Teatro Abierto and communitarian theatre- are fundamental in the way they stage the problematics of this inmigration. …”
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Shakespeare en prison : le cas d’Avignon by Florence March

“…As in 1947, Shakespeare plays a major role in implementing the festival’s sociopolitical and artistic project with Le Pontet penitentiary. …”
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Comprehensive Analysis of Differentially Expressed miRNAs and mRNAs Reveals That miR-181a-5p Plays a Key Role in Diabetic Dermal Fibroblasts by Peng Liu, Yi Zhu, Qin Li, Biao Cheng

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Radium, acier et cœurs vivants. Les marionnettes-automates de Monsieur de Pygmalion mis en scène par Charles Dullin (1923) by Laurette Burgholzer

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Non-verbal agents of theatrical retranslation: Women’s identity and the Spanish classics by Jorge Braga Riera

“… Despite the burgeoning interest in literary retranslation, there is still a need to investigate how linguistic, contextual, and personal factors influence the translation of a previously translated (and performed) play into a given target language and culture. This article aims to illuminate the extralinguistic agents (personal, social, performative, paratextual) that specifically intervene in the English retranslation and reception of the Spanish classical play La vida es sueño (Calderón de la Barca, 1636). …”
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