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- Theater 1
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Osama the Hero (2004) de Dennis Kelly ou pourquoi le théâtre politique n’est pas une « foutue perte de temps »
Published 2022-01-01“…Even though Kelly seems to minimize the political impact of his play in his opening speech for the Stückemarkt in Berlin in May 2012, entitled “Why political theatre is a complete fucking waste of time”, the play can indeed be deemed political, even if not obviously so. …”
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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os
Published 2016-06-01Get full text
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Parody, Controversy, Commercial Opportunity: Samuel Foote’s The Minor (1760) and Its Reception
Published 2024-06-01Get full text
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Genre, couple et violence dans Love me tender de Jean-Hugues Mirédin
Published 2022-12-01Get full text
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Pink Stockings, Yellow Stockings: the Use of Pink-Yellow in Marston and Shakespeare
Published 2015-06-01“…This article argues that focus on the plays’ composition date, while using the arguably trivial lens of pink/yellow stockings, can illuminate the contemporary meaning of a word and its emergence as a colour in early modern England, and provide insights into the dramatists’ relationship during the Theatre Wars that flared briefly on the cusp of the Elizabethan-Jacobean period.…”
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La scène traumatique de Sarah Kane
Published 2015-10-01“…Kane also proposes a vision of trauma as repeating itself at different scales and her characters collapse the private self and the political subject in an all-encompassing Me-World. Finally, her latest plays essentialize her ash-poetry by exploring a theatre of paradox : trauma pierces holes in the fabric of life and obliteration is all there is to see onstage.…”
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La politización del festival de teatro durante el tardofranquismo
Published 2020-01-01“…They saw in this cultural event an opportunity to get around censorship, that banned most of their politically and socially engaged plays. The relative permissiveness first allowed by censorship in festivals was used to spread a sharp theatre against Francoism. …”
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Allacci Digitale: An Historical Dataset for Early Modern Italian Drama
Published 2024-12-01“…The Allacci Digitale dataset contains extended bibliographical information about more than 6000 early modern Italian plays. It is based upon a digitised copy of Leone Allacci’s Drammaturgia (2nd. ed. 1755), one of the most important historical catalogues for theatre in Italian. …”
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Trans/forming the Greek theatrescape: Translation for performance as representation
Published 2025-01-01“…In this context, Fenia Apostolou, a director who made headlines with her story as a trans person, and Maria Hatziemmanouil, a well-known translator of Spanish theatre, decided that it was the right time to stage Pedrero’s play. …”
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« Caminè, caminè » : l’écriture du mouvement dans L’Anconitana d’Angelo Beolco, dit Ruzante
“…Theatre is the place where words and gestures are combined. …”
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La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire
Published 2019-06-01“…La Tentation de Saint-Antoine is the first true shadow show at the Chat Noir, opening a multidisciplinary collaboration that occurs during the play’s genesis and also during the performance on stage.…”
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Comedy’s Double Negation of Meaning in Post-war European Theater
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L’Appel du vide : l’espace vide de Peter Brook et l’épuisement beckettien
Published 2021-06-01“…The first is a book about theatre practice and the need for new forms, the second is a theoretical examination of four of Samuel Beckett’s television plays. …”
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The French Actor on the London Stage: Charles Fechter
Published 2017-11-01“…Using published reviews, letters, and the plays in which he appeared—including Fechter’s own adaptations and his annotated Othello—I propose to examine how this often overlooked actor was both received as the London stage’s greatest lover and at the same time considered particularly French, and how this seeming contradiction reflects contemporary London theatre-goers’ divergent reactions to anything French on their stages.…”
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