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Censorship or the Limits of Representation in Terrence McNally’s Gay Theatre at the End of the 20th Century
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Evaluation of Hafıza-i Saltanat theater play and activities in terms of history teaching
Published 2024-10-01“…The aim of this study is to evaluate the Hafıza-i Saltanat theatre play and activities, which combines evidence-based learning and history-themed theatre, written based on archival documents, in terms of history teaching. …”
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‘What a perennial delight is in hearing the French language spoken!’: Class, Language and Taste in the Maison de Molière’s French Performances in London (1871–1893)
Published 2017-11-01“…Through an examination of the reviews and impressions published by an array of professionals, including leading theatre critics at the time, dramatists, actors and aficionados, the research analyses the sociological, political, and aesthetic implications associated with the firm presence of the French language and French canonical plays in late Victorian London. …”
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Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
Published 2009-12-01“…This paper proposes to read the play - irrespective of its author’s prescriptions - as an attempt at underling, by the way of verse as an efficient element of metatheatrical discourse, the very artificiality of theatre.…”
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Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams
Published 2015-12-01“…Tennessee Williams’s lifelong fascination with cinema left marks on his theatre. The use of projections in The Glass Menagerie and the role played by music in many of his plays are cases in point. …”
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L’Italie selon Shakespeare et Ben Jonson : l’altérité dans un théâtre sans décor
Published 2008-03-01“…The representation of a country unknown to the majority of the spectators and to a play’s author, in a theatre with little decor, is necessarily transmitted through a collection of images — physical, geographical, cultural, and also linguistic. …”
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Relaciones hipertextuales en la primera etapa de Rodolf Sirera (1969–1977)
Published 2024-12-01“… In the article titled Hypertextual Relations in the First Phase of Rodolf Sirera’s Career (1969–1977), our object of study will be the plays composed by Rodolf Sirera (born Valencia, 1948) during the first phase of his career, between 1969 and 1977. …”
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L’art du théâtre de Howard Barker : la scène et la page en conflit
Published 2014-06-01“…In his essays, Barker opposes the materiality of the theatre, that he despises, and the ideal of the art of theatre, to which he aspires. …”
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« Clio en scène », ou le théâtre d’histoire immédiate au prisme des Humanités numériques
Published 2022-01-01“…The project proceeds from the remark that both early modern theatre and contemporary theatre tend to show a predilection for objects that have to do with recent or immediate history. …”
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Frames of violence and recent history in Simon Stephens' Motortown
Published 2022-01-01“…British theatre is renowned for tackling topical, red-hot events pertaining to immediate history: the war in Iraq, for instance, prompted swift and diverse responses from British playwrights. …”
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Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward Bond
Published 2013-06-01“…The changing voices of The War Plays are a sign of the major metamorphoses Bond’s theatre underwent at the end of the 80s.…”
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52
Les passeuses de parole. Une position féminine dans le théâtre burlesque de l’alliance (Andes)
Published 2021-10-01“…Focusing on the burlesque performances of the alliance in the Andes, the article examines the singular ways in which local women engage in the playful field as word-mongers. Listening attentively to what these voices say in Quechua, this article questions this feminine peri-theatre. …”
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Traduire en collectif le théâtre italien contemporain. Les enjeux politiques de La Langue du bourricot
Published 2015-12-01“…The theatre translation collective La Langue du bourricot (The donkey’s linguage) founded at Paris 8 University for current and former students from various disciplines, strives to propose a modus operandi, and a choice of contemporary dramaturgies and translations with marked political implications. …”
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Violences à l’acte, violences dans l’acte : pour une histoire des théâtres féministes états-uniens
Published 2020-11-01“…From the first feminist theatre companies to the emergence of individual practices, the theatre – from the writing of a play to its staging – also provides a channel for alternative, utopian imaginative worlds free from violence and oppression. …”
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‘Groaning wicked like a maddening dog’: Bestiality, Modernity and Irishness in J. M. Synge’s The Playboy of the Western World
Published 2016-07-01“…It argues that the animal-like behaviour that Synge’s play calls for may be considered as a form of resistance to a hegemonic and early twentieth century conception of modernity. …”
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La nuit entre histoire et littérature
Published 2020-07-01“…What role might literary works have played in the negative perception of the night and its criminalisation in modern times? …”
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Avoir-lieu ? : quelques expériences théâtrales de la scène britannique contemporaine
Published 2019-12-01“…It produces innovating plays and performances hand in hand with existing Scottish companies and building-based theatres. …”
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