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The Living Theatre and the French 1968 Revolution: Of Political and Theatrical Crises
Published 2018-06-01“…Interestingly (and paradoxically), in spite of the importance of the part played by The Living Theatre in this French Revolution of 1968, official history has been oblivious of the involvement of the American company. …”
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An alien among aliens: Translating multicultural identities in Singapore’s contemporary theatre
Published 2025-01-01“… This article explores the conflated roles of translator and playwright embodied by Kuo Pao Kun (1939-2002), a doyen figure acclaimed as the embodiment of Singapore’s contemporary theatre. As a Singaporean arts activist born in China, Kuo reformulated the state identity of Singapore through his self-translated play Descendants of the eunuch admiral (1995a), which examines his perceptions regarding the perils of a homogenised national theatrical realm and the tensions emerging from modernisation — an intriguing standpoint for an ethnically Chinese art activist. …”
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Le théâtre baroque du corps démembré dans The Duchess of Malfi
Published 2019-01-01Get full text
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There Will Be More d’Edward Bond : pour un autre théâtre politique
Published 2015-04-01“…My contention in this article is that Edward Bond’s vision of political theatre is both illustrated and renewed by one of his latest plays, There Will Be More (2010), which is still not published and is supposed to be the first part of a new trilogy. …”
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Du Bestiaire dans le théâtre de W.B. Yeats
Published 2016-07-01“…Birds of all kinds, cats, donkeys, pigs and of course horses : a whole bestiary runs across all the plots and talk in his plays. In the beginning, the project of the Miracle Plays cycle determines this concrete and spiritual landscape, where diabolical creatures confront divine figures, and dissonant sounds contrast with birdsong. …”
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Carol Ann Duffy’s Everyman (2015), A Contemporary Morality Play
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Social trauma and the theatre: a study of the formation of a non-conformist identity
Published 2013-12-01Get full text
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Philip Massinger et le théâtre historique : trouver la bonne distance
Published 2022-01-01“…Although he did not ban the play, the latter heavily intervened on the manuscript. …”
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Une réécriture amérindienne du théâtre de Shakespeare : Hamlet-le-Malécite
Published 2011-09-01“…This Canadian play exposes all the evils afflicting the First Nations today and all the damage caused to their territories for the sake of profit. …”
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Korean Bongsan Talchum mask theatre: A window to the past and the pride of the present
Published 2024-12-01“…The study is based on a full text of a play published by Korean scholar Cho Okon. In Russian historiography, there are no academic works on the history of Bongsan Talchum theatre. …”
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“His Comedie unto his Theatre”: Genre in the Early Modern Dramatic Epilogue
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"I Fregi del Ceppo”: when artificial intelligence and geomatics meet theatre
Published 2025-01-01“…Highlights: • The reuse of 3D reality-based digital data in theatre productions supports the cross-valorisation of cultural activities…”
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Lieux et milieux dans le Théâtre de Béziers (XVIIe siècle)
Published 2014-12-01“…The Theatre of Béziers brings together an ensemble of 24 published plays, performed in Béziers for the festival of Ascension between 1616 and 1647. …”
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L’horreur acoustique musiques « anempathiques » dans le théâtre de Martin Crimp
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Apocalypses ouvrières. Théâtre, SF et critique sociale dans les années 1920
Published 2021-12-01“…The article considers an international corpus of plays from the 1920s-1930s that have the characteristic of combining the theme of work with anticipation. …”
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Bouches béantes et voix blanches dans le théâtre de Howard Barker
Published 2013-07-01“…This paper explores the ambiguous treatment of vocality in the work of Howard Barker, whose theatre appears as an attempt to conjure up the voice of the dead. …”
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HAROLD PINTER: FROM POETICS TO POLITICS
Published 2016-02-01“…Pinter has been a theatrical institution for half a century, he has revolutionised his theatre fay being a conscientious objector in public and a political actiuist since the 1980s. …”
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage
Published 2018-11-01“…Neither straightforwardly spectral, nor entirely anchored in an unambiguous dramatic situation, the subject is approached through stereophony as each spectator is confronted to their feelings of empathy and left to negotiate their own hermeneutic path between solo melodies and choral symphonies, between a highly contextualized understanding of the play, and universal reading of the performance. Paradoxically, debbie tucker green therefore redefines 21st century In-yer-face theatre through absence. …”
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