“Theatre’s Other: Event and Testimony in British Verbatim Plays” by Clare Finburgh

“…A particular kind of remembering and staging of our transient contemporary “reality” has become prevalent in the UK since the end of the twentieth century: verbatim theatre. This is a form of documentary theatre that stages theatre’s other – events and experiences as they are lived by actual people and rendered in witness testimonies that are transcribed word-for-word, edited into a play, and performed by actors. …”
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Dramatic transfers: Mural painting and religious theatre in the Western Alps during the sixteenth century by Marianne Cailloux

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The Inevitability of Absurdity, or Collective Trance in Boogie-woogie Rhythm: Tom Stoppard’s Play Rosencrantz and Guildenstern are Dead on the Stage of the Old Theatre of Vilnius by Natalia Maliutina

“… The review discusses aspects of unconventional stage interpretation of Tom Stoppard’s play Rosencrantz and Guildenstern are Dead. The premiere, directed by Yuriy Butusov, took place in September 2023 at the Old Theatre of Vilnius. …”
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Du presque-rien au presque-tout : le dévoilement de l’invisible dans Trifles (1916) de Susan Glaspell by Emeline JOUVE

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SHAKESPEARE IN LITHUANIAN by Ema Vyroubalová, Gemma Navickiene

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Shakespeare During Covid-19: Expanding Our Theatrical Horizons by Méline Dumot

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Yorùbá Theatre Practice and Nollywood by Shola Balogun

“…The demand for relevance and the focus on contemporary audience interests all play a significant part in the shift of Yorùbá theatre from stage to film medium. …”
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Théâtre immersif et jeu vidéo by Olivia Levet

“…Through the sociocritical analysis of the creative process of two plays, Greenhive Green by Punchdrunk Enrichment and The Lost Generation by Madame Lupin, this article draws a parallel between theater residency programs and playtests or early versions in the video game industry. …”
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Writing, rewriting and revisiting the Cold War in Tom Stoppard’s Squaring the Circle. Poland 1980-81 (1984) by Jean Du Verger

Subjects: “…verbatim theatre…”
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Dramaturgies of Contagion in Contemporary British Speculative Theatre by June Xuandung Pham

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Indigenous Theatre as Resistance: Toronto as a Nexus for Canada’s Burgeoning Indigenous Theatre Scene from Late 1980s to Early 1990s by Raphaela Pavlakos

“…By taking a closer look at Canada’s first Indigenous Theatre company, Native Earth Performing Arts, which is based in Toronto, as well as analyzing two fundamental texts, Drew Hayden Taylor’s (Curve Lake First Nations) Toronto at Dreamer’s Rock and Daniel David Moses’ (Delaware/Tuscarora) Almighty Voice and His Wife, this paper will trace the common themes in these two texts that were prevalent in the work of this time, as well as unpack the connection these plays have to place, specifically in their relation to Toronto and the Indigenous Theatre scene there.…”
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Théâtre et presse, de 1590 à 2017 by Michael Palmer

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A Brief Survey of Gender Parity in the Theatre Industry by Yeliz Biber Vangölü, Florentina Gümüş

“…This study investigates the presence of women as playwrights and directors in the 40 plays uploaded to the National Theatre at Home platform in the year starting with December 2020. …”
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Cultural Formation and Transference Processes of Ancient Greek Theatre by Haluk EMİR, R. Eser KORTANOĞLU

“…The concept of the theatrical, however, is a phenomenon that extends far beyond Hellenic culture, predating the tangible manifestation of theatre by a considerable margin. Although the collective consciousness and ritual practices observed in the Paleolithic, Neolithic and Bronze Ages predate the emergence of Hellenic thought, they played a crucial role in the birth of theatre as a mental concept. …”
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Angel in “the Cartesian theatre” – Aquinas and the mind-body problem by Tomasz Stępień

“…Such approach was even called biological, because of the stress on the role which body plays in human actions. Therefore Aquinas proposition could be perceived the way of overcoming the dualism and removing some of the dilemas which are linked with “soul hypothesis” understood in traditional way. …”
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De la voix au théâtre au théâtre de la voix : l’envers du décor poétique de Robert Browning by Yann Tholoniat

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Passé et avenir du théâtre de science-fiction by Susan Gray, Christos Callow Jr.

“…The article focuses on the past history and future developments of science fiction theatre. It reports that science fiction theatre has existed unofficially since the 19th century and discusses several theatrical plays including R.U.R, Back to Methuselah, and Endgame. …”
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Theatrical Colours: Cosmetics, Rhetoric and Theatre in Webster’s The White Devil by Natascha WANNINGER

“…However, this analysis illustrates how powerful a tool these characters’ use of colour in terms of cosmetics, rhetoric and theatre proves to be in determining their roles. Thus, the division into clear-cut colour categories is dissolved which also serves to repudiate the allegations against “artificial colouring” and the theatre, since none of the parties at work in the play emerges as untinged.…”
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Outline of a theatre proxemics in times of pandemic. Redefinition of spaces by Vittorio Fiore

“…The objective is to add new chapters to the ‘theatre proxemics’ that governs human behaviour in these spaces of social aggregation, in order to realign them to the prescriptions dictated by the pandemic. …”
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