I. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS FENENA’S PRAYER: OH, DISCHIUSO È IL FIRMAMENTO by Adél FEKETE

“…Further analyses published in this series will shed light upon well-known examples of preghiere – like the famous prayers of Leonora from La Forza del Destino –, as well as forgotten pages of Verdi’s works which at times present surprising elements, such as the very modern prayer of Giselda from I Lombardi alla prima crociata. …”
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OPERA AND ITALIAN IDENTITY: THE LONG VIEW by Stefano CASTELVECCHI

“…Moreover, when Italian opera predominated throughout Europe, Italy exported an army of people associated with its creation, performance and business.  …”
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“IT IS EMOTION AND STRENGTH THAT WE ARE CONVEYING THROUGH MUSIC” by Adél FEKETE

“…While other children were still learning how to talk, she first started her piano lessons at the age of three, completing her passion for music by gradually adding two other instruments: the violin and the flute. …”
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Actions’ system for continuous improvement in the functioning of disciplinary groups by Mabel Rocha Vázquez, María Isabel Mentecón Ledo

“…<br /><strong>Conclusions:</strong> the proposed actions are derived from the diagnosis carried out and in an integrated manner contribute to achieving greater effectiveness in the direction of that organizational level for the methodological work in the institution and therefore its operat.</p>…”
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