Non-Fictional Interwar Narratives by English Writers by Barbara PUSCHMANN-NALENZ

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The beginning of image development by the society in the interpretation of A.S. Pushkin's works during his lifetime by D.V. Tumanov

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Le touriste malgré lui : John Edgar Wideman et la Martinique by Michel Feith

“…African-American writer John Edgar Wideman chose the French Caribbean island of Martinique as setting and object of his travel narrative for his dual relationship to the place. …”
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Acts of Exposure: Reckoning with Representations of HIV and Sexual Identity in Morocco by Anne M. Montgomery, Abderrahim El Habachi

“…This article presents a hybrid, co-authored exchange between an American academic and scholar of Morocco, Anne Montgomery, and a Moroccan writer and activist, Abderrahim El Habachi. It is a multi-textual work that was produced through an experimental, collaborative method. …”
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A Review of Isaac Oluwole Delano’s Pioneering Works on Yoruba Grammar, Orthography, Lexicography and Cultural Education. by Toyin Falola, Michael Oladejo Afolayan

“…In it, we reintroduce the seminal works of the legendary writer and language educator, I. O. Delano. Many of these works have become obscure to the reading public due to an apparent lack of intentional publication. …”
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Witnessing versus Fiction: Julia Frey’s diary of September 11, 2001 and Last Fall (2005) by Ronald Sukenick, her husband by Julia FREY

“…This fictional use of the attacks plays the role that the attacks actually played in the lives of the writers.…”
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The Anthropology of Love by Ingeborg Bachmann (“War Diary” and “The Book of Franza”) by Yulia Isapchuk

“…The article is dedicated to the study of the work of the Austrian writer Ingeborg Bachmann (1926–1973), which involves the investigation of specific examples of fictional and non-fictional literature using the principles of literary anthropology. …”
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Baldwin, l’homotextualité et les identités plurielles : une rencontre à l’avant-garde by Jean-Paul Rocchi

“…On the one hand, focusing more particularly on the interplay of identifications between the individual and the American community in Giovanni’s Room and on the other hand between the reader and the writer in “Notes of a Native Son”, this essay explores Baldwin’s major themes such as memory, homotextuality, the writer’s political philosophy, his ethics of inclusion and his position as an outsider. …”
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From Archetype to Stereotype: a Postmodern Re–reading of the American South by Gabriela Dumbrava

“…Relying on fictional and non–fictional representations, the paper follows the trajectory of the plantation as an epitome of the South from the status of archetypal model to that of stereotype, showing how the latter ironically acquires the power of the former, and becomes the very source of misconceptions or simplifying perceptions. …”
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Modernism – Postmodernism – Neo-Modernism (Narrative Strategies in the German-Language Novel of the 21st Century) by G.A. Frolov, E.M. Shastina

“…The poetics of novels written by contemporary Austrian writers (Daniel Kehlmann’s Measuring the World (Die Vermessung der Welt) and Christoph Ransmayr’s The Flying Mountain (Der fliegende Berg)) is presented as a dynamic force with the narrative principles and elements of different types of paradigms, including modernism (subjective perspective and narration), realistic writing in its traditional form, and postmodernism (synthesis of the fictional and non-fictional, intertextual irony, and metaplay with the text). …”
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The Imprint of the War in Ford Madox Ford’s Critical Writings by Isabelle BRASME

“…His pre-war assertions gave way to questions; and as was the case with many other writers who took directly part in the hostilities, a decade elapsed before Ford succeeded in rendering his war experience in a novelistic form, through the Parade’s End tetralogy. …”
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