Choosing the Right Visual for Social Media: Comparing the Engagement of Stock Photos Versus Natural Photos by Anissa Zagonel, Lauri M. Baker, Jarred Shellhouse, Cheryl Boyer, Hikaru Peterson, Aly Morrison

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Illustrating Victorian Poetry: The Dynamics of Photographic Tableaux Vivants by Gwendoline Koudinoff

“…Traditional arts such as painting, engraving and drawing attempted to illustrate the poems but the interdisciplinary nature of 19th-century photographic tableaux vivants enabled artists to associate real-based imagery with the metaphorical language of poetry. …”
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Focus sur les Observatoires photographiques du paysage (OPP) réalisés par le Conservatoire régional d’espaces naturels (CREN) de Poitou-Charentes by Patrick Guédon

Subjects: “…Photographic Observatories of the Landscape…”
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Regards artistiques sur l’observation photographique by Frédérique Mocquet

“…In 2005 they paired up as Les Panoramistes, combining their perspectives to produce the Photographic Observatories of the Landscape. After having created the Monts d’Ardèche Regional Nature Park Photographic Observatory of the Landscape and the Photographic Observatory of the Landscape of the grouping of municipalities of the Hérault Valley, in 2012 they created “Used Landscapes, The Photographic Observatory of the Landscape from the GR2103 Trail”. …”
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The use of photo-elicitation in field research by Elisa Bignante

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A Refined Astrometric Approach Based on the Precision Premium and its Application to the Jupiter’s Satellite Himalia by Z. J. Zheng, Q. Y. Peng, F. R. Lin, D. Li

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L’Observatoire photographique du paysage du PNR des Vosges du Nord : de l’œuvre à l’action by Raphaële Bertho, Frédéric Pousin

Subjects: “…Photographic Observatory of the Landscape…”
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Towards Robust Evaluation of Aesthetic and Photographic Quality Metrics: Insights from a Comprehensive Dataset by Iria Santos, Miguel A. Casal, João Correia, Álvaro Torrente-Patiño, Penousal Machado, Juan Romero

“…In recent years, the development of metrics to evaluate image aesthetics and photographic quality has proliferated. However, validating these metrics presents challenges due to the inherently subjective nature of aesthetics and photographic quality, which can be influenced by cultural contexts and individual preferences that evolve over time. …”
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Methods of Developing User-Friendly Keys to Identify Green Sea Turtles (Chelonia mydas L.) from Photographs by Jane R. Lloyd, Miguel Á. Maldonado, Richard Stafford

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‘Why is it that a photograph always looks clear and sharp, — not at all like a Turner?’ John Ruskin & Perceptual Aberration by Lawrence Gasquet

“…In volume IV of Modern Painters, Ruskin contends that photographs might after all be more on Turner’s side than he and other critics might have first thought: ‘Photographs never look entirely sharp; but because clearness is supposed a merit in them, they are usually taken from very clearly marked and un-Turnerian subjects; and such results as are misty and faint, though often precisely those which contain the most subtle renderings of nature, are thrown away, and the clear ones only are preserved. …”
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Categorical Nature of Consumer Price Estimations of Postharvest Bruised Apples by Yasushi Kyutoku, Naoko Hasegawa, Ippeita Dan, Hiroaki Kitazawa

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Characteristics and distribution of the <i>Opuntia</i> (Cactaceae) representatives naturalized in Crimea by N. A. Bagrikova, Ya. A. Perminova

“…The largest numbers of naturalized species were observed in Spain, South Africa, and Australia. …”
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Zoological exhibitions in natural history museums: classic design and modern approach by Igor Evstafiev

“…Classic diorama displays are three-dimensional images, with a combination of natural objects and artworks depicting a natural setting. …”
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20 ans d’Observatoire photographique des paysages dans le Parc naturel régional des Vosges du Nord by Romy Baghdadi

“…We shall see how the Vosges du Nord Regional Nature Park attempts to use these photographs to encourage the systematic use of images of the landscape in development projects. …”
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Contribution of NGO’s and Private Sector to Natural Forest Conservation of Nyugwe National Park Rwanda. by Sabbas, Duhayimana .A.

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Behind the lenses: Biases in the contribution of wildlife photography to biodiversity representation by Héctor Ruiz‐Villar, Ana Morales‐González, Jon Morant

“…Abstract Nature‐related visual media has a significant impact on today's society by engaging the public in conservation problems and promoting pro‐environmental behaviours. …”
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Characteristics of flora and vegetation of Kolmakhtun Lake – Nature Reserve of local significance of Tomsk Region (West Siberia, Russia) by Valentina P. Amelchenko, Tatiana A. Blyakharchuk, Yulia A. Kharanzhevskaya, Rinat M. Manasypov, Tatiana N. Kataeva

“…Kolmakhtun Lake is located in the center of Tomsk Region in a basin of Ob’ River. It is Nature Reserve of local significance (OOPT). A complex team of researchers from Tomsk State University performed a multi-years research of hydrology, flora and vegetation of this area. …”
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Le jardinage amateur comme modèle pour une imagerie de l’espace public contemporain ? by Aurélien Ramos

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Ritual objects for the feast of sukkot: Theoretical analysis of the Talmudic prescriptions and some of their ethnographical achievements in the Balkans by Vartejanu-Joubert Madalina

“…Can we think of the artifact as an integral part of an anthropology of life as it has developed in the wake of the anthropology of nature founded by Philippe Descola? Judaism clearly fits within this perspective since a vast body of normative texts, notably the Babylonian Talmud, defines and discusses the jewishness of artifacts - whether ritual or everyday - by endeavoring to determine their correct position on a graduated scale ranging from nature to artifice, understood here as emic categories. …”
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Mobiliser le paysage pour observer les territoires : quelles démarches, pour quelle participation des acteurs ? by Pierre Dérioz, Philippe Béringuier, Anne-Élisabeth Laques

“…The paper first examines the approach of the landscape photographic observatories, generally only focused on the landscape for itself, with sometimes a real efficiency for the mobilisation of the local actors, but quite a poor valorisation of the landscape’s informative potential. …”
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