Chien, chèvre, taureau, couvée, ou le personnage de théâtre à l’épreuve du bestiaire johnstonien by Virginie Girel-Pietka

“…I argue that becoming outstanding theatrical performers allows them to make sense of their respective stories and therefore to redefine human nature by reconfiguring the poetics of theatre.…”
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Du Bestiaire dans le théâtre de W.B. Yeats by Pierre Longuenesse

“…In fact, poet and dancer are fascinated by this particular bird because of the hawk’s power to surpass the hero, as the bear triumphs of the swordsman in Kleist’s On the marionnette theatre : in At the Hawk’s Well, the bird overcomes the man because it has a grace that the man will never find. …”
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

“…Her texts, which draw simultaneously from poetry, song lyric writing and musical score, question the nature of theatre. As a black woman, writing black characters for a mainly white audience, the strategies of dramatic composition which she resorts to rely on a poetics of absence and create a theatre immune to accusations of didacticism of which her forbearers were often taxed. …”
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La contribution d’Antonio Buero Vallejo au théâtre de science-fiction espagnol by Miguel Carrera Garrido

“…These studies are complemented by others of theoretical nature, which demonstrate the viability of science fiction theatre. …”
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Geomatics and metaverse for lost heritage sites documentation and dissemination: the case study of Palmyra Roman Theatre (Syria) by Anna Forte, Yara Jamil Alkhatib, Gabriele Bitelli, Eva Savina Malinverni, Roberto Pierdicca

“…Highlights: • Geomaticsthree-dimensional (3D)reconstruction of lost Syrian heritage (PalmyraRoman Theatre)with spherical photogrammetry, recreating the monument’s conditions before its destruction…”
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‘What a perennial delight is in hearing the French language spoken!’: Class, Language and Taste in the Maison de Molière’s French Performances in London (1871–1893) by Ignacio Ramos Gay

“…In 1879, theatre critic Augustin Filon stated on account of the French company’s second visit to London that year, ‘les voyages de la Comédie-Française sont regardés en Angleterre comme des dates’. …”
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Pirandello’s Spatial Use in the Odescalchi Theatre: The Architectural Representation of <i>Henry IV</i> and <i>Six Characters in Search of an Author</i> by Manuel Iglesias-Vázquez

“…The interdisciplinary nature of theatre studies often results in research that places greater emphasis on literary analysis than on architectural considerations. …”
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A woman’s place is in theatre: women’s perceptions and experiences of working in surgery from the Association of Surgeons of Great Britain and Ireland women in surgery working grou... by Maria Irene Bellini, Yitka Graham, Catherine Hayes, Roxanna Zakeri, Rowan Parks, Vassilios Papalois

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Aleksandr Bogdanov’s Podbor and Proletkult: An Adaptive Systems Perspective by Dudley Peter

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Mechanisms of co-presence in repetitive drama studio performances by Željka Flegar, Grozdana Lajić Horvat

“… When working with older children (ages 9-12) in a drama studio environment (extracurricular theatre and drama education with performative outcomes), keeping everyone present is both an exciting and challenging task. …”
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Tempering Feydeau: Twisting and Guilty Pleasures on the London Stage (1893-1897) by Violaine Heyraud

“…Beginning in 1892, Feydeau established himself in France as the new master of vaudeville comedy. London theatres surrendered to his infectious laughter, producing a number of his plays between 1892 and 1897, though admittedly, carefully selected: The Sportsman, adapted from Monsieur chasse! …”
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Jacobean Morality and Moral Performativity in Volpone and Women Beware Women by Gül Kurtuluş

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L’effort de guerre des exploitants non-professionnels du cinéma en URSS (1939-1949) by Irina Tcherneva

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Narrativität hören by Kerstin Hausbei

“…The audiobook, located at the disciplinary interface of literature, media, theatre, language, speech and book studies, is still largely unexplored in France. …”
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Tradiția literară și teatrală a absurdului by Mirela Mihaela Doga

“…Later, Guillaume Apollinaire would use miracles and imagination without following any limit, while Antonin Artaud’s metaphysical theatre rediscovers the individual in relation to nature without any social or psychological elements. …”
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Why Rights are Wrong in ASEAN and Beyond: A Critique of the Foundations of Universal Human Rights by D. Brian Scarnecchia

“…Part Three contends that aspects of the public trust doctrine, i.e., the natural use principle and the precautionary principle, are analogous to natural law principles and, because ‘the book of nature is one”, these environmental law principles may help jurists to recognise a theory of natural law liability in order to promote and defend authentic human rights. …”
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Re-imagining the History of British Abolition: The New Historical Consciousness in Winsome Pinnock’s Rockets and Blue Lights by Xiting Qiao

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”If you don't care you’ll die” : The Concept of “Liveness” in Arnold Wesker’s Chicken Soup with Barley and John Osborne’s Look Back in Anger by Sarah-jane Coyle

“…The phenomenological concept of “liveness” has a long-standing relationship with theatre and performance studies. This relationship has primarily been limited to questions of ontology; namely, what constitutes the ephemeral nature of theatre and what counts as “liveness” in performance in an increasingly digitised age. …”
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3D Simulation Design and Application of Traditional Hanfu Based on Internet of Things by Li Lin, Wen Gan

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Logo Design Process and Method of Intellectual Property Big Data in the Digital Media Era by Xin Jia, Yan Dong, Bingxue Wang

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