Art et réforme clunisienne : le porche sculpté de Beaulieu-sur-Dordogne by Barbara Franzé

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Performative Translation: Latvia’s Orbita Group as a Post-Monolingual Heterotopia by Kevin M. F. Platt

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Flirting with Controversy: Making Biopics about Truman Capote by Delphine Letort

“…Based on a close study of the biopics devoted to writer Truman Capote, this article questions the expectations raised by films that feed on the voyeuristic desire to see into the personal lives of famous people beyond their public image. …”
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Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эре by Ellen Rutten

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Kissing the naked Novomeský (an interpretative probe into an unpublished chapter from Janko Silan’s book Dom opustenosti [House of abandonment]) by Andrej Gejdoš

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Phenomenology of Fire Image in the Poems of Akhavan Sales based on Gaston Bachelard Thoughts by Nematollah Iranzadeh, Shahnaz Arsh Akmal

“…He also believe on four nodes, in connection with the fire, that like Freud borrowed their names from mythology and scholars. …”
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Raconter les Highland Clearances : Fluctuations mémorielles et instrumentalisationde la mémoire by Laurence GOURIEVIDIS

“…In Modern Scottish history, few events have had as much resonance and emotional charge as the Highland Clearances, i.e. the evictions of tenants and the social conflicts in northern Scotland and the Hebrides from the middle of the 18th century until 1886, when legislation put an end to large-scale removals by conferring security of tenure on crofters and considerably restricting landowning power. …”
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›Unendliche Melodie‹. Aufbereitung einer Chiffre zu einer Kategorie der Wagner-Analyse by Ariane Jeßulat

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Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung by Markus Neuwirth, Martin Rohrmeier

“…Der Beitrag schließt mit einem Plädoyer für die Einbeziehung quantitativer Ansätze in der Musiktheorie im Rahmen eines übergeordneten ›Mixed Methods‹-Paradigmas. …”
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Semantic link of allusions and non-verbal communication in Ferdowsi's Shahnameh by Zahra Jamshidi, Seyyed Mohammad Arta

“…In the present essay, the author investigated the ironies derived from the concept of non-verbal behaviors with a descriptive-analytical method and a case study of Ferdowsi's Shahnameh and came to the conclusion that a large part of the ironies was adapted from the concept of non-verbal behaviors and there are comprehensible semantic relationships between these two categories and understanding the semantic relationship between these two categories of literature and language leads to the discovery of a subtle relationship between literary language and ordinary language. …”
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»Schließlich waren alle Genies der Kunst immerhin doch Männer …«. Zum Geniebegriff bei Heinrich Schenker by Marko Deisinger

“…In seiner 1995 publizierten Dissertation zur ideengeschichtlichen Entwicklung von Schenkers Musiktheorie konnte Martin Eybl demonstrieren, dass das Konzept der Urlinie in enger Verbindung mit politischen Ideen entstand und im Kontext der politischen Umbrüche nach dem Ersten Weltkrieg eine paradigmatische Funktion einnahm. Für Schenker repräsentierte die durch Analyse offengelegte hierarchische Struktur des Tonsatzes ein Ordnungsgefüge, das ganz dem Ideal des von ihm in mehreren Schriften propagierten Herrschaftsmodells entsprach. …”
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Ludisme et allusion dans l’étymologie poétique latine by Cécile Margelidon

“…The Latin etymological wordplay, although the object of more and more studies, has received few definitional attempts that take into account both the singularity of the ancient etymology and the playful modalities implemented by the poets. …”
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“… because there is nothing symbolic in the described phenomenon”. Asafyev’s Intonation Theory in the Early Soviet Union – Analytical Insights, Intellectual Contexts, and Semiotic... by Patrick Becker-Naydenov

“…Based on the underlying principles of Asafyev’s intonation theory “contrast and repetition,” etc.) and its analytical insights into cadence models, Western scholars have often read it as a continuation of the energeticism and dynamism proposed by August Halm and especially Ernst Kurth. …”
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“Christian Socialism and English Literature: Frederick Denison Maurice's Teaching of Shakespeare” by Marta CEREZO

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Making Progress: Ellison, Rinehart, and the Critic by Cheryl Alison

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La Montagne dans la poésie lyrique d’Andrew Marvell : variations sur une vision apocalyptique et le locus amoenus by Jean-Pierre Mouchon

“…This is why it has never been tackled by literary criticism. If Marvell mentions mountains in some of his poems it is always with a sense of fright and impending danger. …”
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La naissance d’un écrivain national : perspectives et enjeux — le cas de Natsume Sôseki (1867-1916) by Dan Fujiwara

“…Few people in Japan contest the idea that Natsume Soseki (1867-1916) is a “national writer.” …”
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THE OEDIPUS COMPLEX IN EUGENE O’NEILL’S DESIRE UNDER THE ELMS by Irwan Sumarsono, Abu Fanani, Ima Masofa

“…To analyze it, the writers use the psychological approach, especially Freud’s psychoanalysis theory. The writers got the main source of the data from the play, while the supporting data, the writers got from literary books, journals of English Literature, and the internet. …”
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Liberation via Reliving the Suffering: A Study of August Wilson’s Monologues by Sumita, Mayur Chhikara

“…The study positions these monologues as literary instruments of healing, examining them through the framework of speech act theory. …”
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Creative personality in V.S. Vysotsky's individual worldview by D.A. Cheremohina

“…The content of the above concept was identified on the basis of the following lyrics: “My bride will truly sob for me” (‘Za menya nevesta otrydaet chestno’, “The seventh string” (‘Sed’maya struna’), and “Silver strings” (‘Serebryanye struny’). …”
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