L’èthos : un articulateur by Dominique Maingueneau

“…This will lead to the observation that no analysis of ‘èthos’ can be carried out without taking into account the historical background, the genre and the aesthetic positioning of the text.…”
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An Attempt to Understand Islamic Arts with Deconstruction by Yaşar Özrili

“…Deconstruction in Islamic art is a movement that shows that art is not only an aesthetic experience, but also carries historical, cultural and political meanings, since it is the acknowledgment of the influences of different cultures and traditions rather than a single universal art form.…”
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The Renewal of the Twenty Years in Theater: Revisions Based on The Danton Case by Stanisława Przybyszewska from 2008 by Katarzyna Fazan

“…The change in the way of interpreting the culture of this period was presented by the author using the examples of two 2008 productions of Stanisława Przybyszewska’s Danton’s Case, staged by important directors active after 1989: Jan Klata (Teatr Współczesny in Wrocław) and Paweł Łysak (Teatr Polski in Bydgoszcz). …”
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La science‑fiction a‑t‑elle horreur du vide ? Le cas des séries télévisées by Elaine Després, Hélène Machinal

“…If science fiction television series rely on a system of signs that we need to reconstruct, what would be the specificities of these voids and what narrative, interpretive and aesthetic strategies should we use to fill them ? …”
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Building global art infrastructure from Nigeria: ART X Lagos and Lagos Biennial 2019“We Are Our Own Sun” by Stacey KENNEDY

“…Although dichotomies of centre/periphery have been much critiqued, the ascendant contemporary African art market of the last two decades (Enwezor & Okeke-Agulu) continues to be valorised in Euro-American art capitals under hegemonic systems of aesthetic value judgment and critique based on Western positions (Corrigall). …”
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A Methodological Approach for Assessing the Interaction Between Rural Landscapes and Built Structures: A Case Study of Winery Architecture in Tuscany, Italy by Stefano Bigiotti, Carlo Costantino, Mariangela Ludovica Santarsiero, Alvaro Marucci

“…This paper introduces an adaptable interpretive method applicable across contexts, suitable for professionals and decision-makers. …”
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Imaginative Allusion Compounds Inspired by Verses, Traditions and mythology in Khaghaniʼs Odes by محمد بهنام‌فر, زینب طلایی

“…So we tried to study and analyze some of his poetic images inspired by verses and traditions with having attention to his artistic and aesthetic deep structure of his poem, and show how these verses and traditions have been used in his imagery. …”
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Modeling and leveling of categories affecting the geographical landscape form of the world by Leyla Meshkani, Jamile tavakolinia, mohamad taghi Razavian

“…It is based on such an understanding that the present study attempts to combine qualitative content analysis techniques and soft operations based on interpretive philosophy with a qualitative approach to the question of why each geographical (urban) landscape emerges. …”
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THE DEATH OF ART IN ADORNO'S THEORY OF ANTINOMOUS NATURE OF THE WORKS OF ART by Rūta Marija Marija Vabalaitė

“… The article deals with the concept of the death of art in Adorno's "Aesthetic Theory". The peculiarity of the concept in comparison with the hegelian one and with traditional interpretations of it consists in that it is to mean the negative relations in the works of art and antinomous nature of art that are the conditions of artistic quality of the work. …”
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Carl Philipp Emanuel Bachs Fantasien, oder: Von der »Wissenschaft der Harmonie« by Ralph Bernardy

“…Their foundation is therefore a highly rationalized harmonic language, the comprehension of which was an essential element of the aesthetic experience of its contemporaries. The analysis of selected fantasies will seek to decipher their harmony and to identify it as the decisive formal force.…”
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A Universal Story: Conversations with Richard Potts About Human Evolution Heritage by Camila Marinetti

“…His insights shed light on various aspects of artifact acquisition, preservation, and interpretive guidance—key elements in the ongoing social and academic debates surrounding heritage. …”
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THE DEATH OF ART IN ADORNO'S THEORY OF ANTINOMOUS NATURE OF THE WORKS OF ART by Rūta Marija Marija Vabalaitė

“… The article deals with the concept of the death of art in Adorno's "Aesthetic Theory". The peculiarity of the concept in comparison with the hegelian one and with traditional interpretations of it consists in that it is to mean the negative relations in the works of art and antinomous nature of art that are the conditions of artistic quality of the work. …”
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Transmedial presence of verbal texts in architecture and public space. Between informativity and emotivity by Elżbieta Chrzanowska-Kluczewska

“…From the semiotic viewpoint, architectonic structures and the surrounding public spaces can be seen as texts to be read and interpreted within proper historical, social, and cultural contexts. …”
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Effect of the Pes Planus on Vertical Jump Height and Lower Extremity Muscle Activation in Gymnasts by Tamer Çankaya, Nurcan Contarlı

“…Gymnastics is an aesthetic olympic branch where systematic and rhythmic movements are performed at high levels in harmony with the body (19). …”
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Forehead, temporal augmentation and lateral browlift with Ellanse M by Larry Wu, Bo Wang

“…Background: Ellanse M, a polycaprolactone-based filler, is a versatile collagen stimulator used in aesthetic treatments, particularly for forehead, temporal rejuvenation and lateral brow lifting. …”
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Explain the conceptual model of environmental vitality: a comparative study in the social sciences, architecture and urban by maryam Sanatgar Kakhaki, -Manouchehr Foroutan, Mohammad Mehdi Soroush, sara Jalalian

“…Factors affecting environmental vitality in general include experimental and aesthetic, functional and environmental components. …”
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Regard rapproché, regard éloigné dans la critique d’art, de Diderot à Huysmans by Michel Delon

“…Our moral judgement, as well as our aesthetic judgement, depends on the distance from which we perceive that which touches us. …”
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