A New Look at the Structure of Genitive and Attributive Similes with a Special Emphasis on Hafez’s Poems by Meysam Hajipour, Enayatollah Mahmoodi

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Containment Schema, A Psychological Conclusion To The Passionate Love And Companionate Love In The Lyric Poems Of Sa î ‌ di And Hafez Shirazi. by aliakbar Bagheri Khalili, Monireh Mehrabi Kali

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The disturbing order and Hafez's ghazals by Naser Rahimi, Zoheir Nadalizadeh

“…To that intent, I formulated my hypothesis based upon the poetic texture and the intertextual relations of Hafez's poems as a whole.…”
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The role of predicative sentences in Hafez’s poetry by Seyed Mehdi Mousavinia, Meysam Hajipour

“…To achieve this goal, by presenting theoretical ideas of experts in the field of Persian grammar and explaining their different opinions, this study has examined the skillful use and quality of predicative sentences in Hafez’s poems. The results of this research show that: 1) In Hafez's poems, a word can be both “predicate” and “subject” simultaneously; 2) “To be verbs” and their derivatives can be used ambiguously and simultaneously both as main and linking verb; 3) Predicative sentences are usually accompanied by equivocalness, and such subtle equivocalness is not usually noticeable; 4) The substitution of predicate and subject in most Hafez's poems is accompanied by a change of meaning…”
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Investigating Adaptations of Hafez and Saifaddin Mohammad Farghani by Tahereh Ghasemi, Vahid Mobarak

“…Saifaddin Mohammad Farghani is one of the most famous and mystic poets of the seventh and eighth centuries, who lived 50 years earlier than Hafez. The consequences of the Mongol invasion and the unfortunate conditions of that era caused the poet to compose critical and social poems and this is the theme and poem style of most of his poems. …”
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The Evolution of the Meaning of “Dūsh” in the Thoughts of Khayyam, Sanai, and Hafez by Ali Mohammad Moazzeni, Ameneh Rajabi

“…The connection of “Sorūsh” with “night” is also reflected in Islam through “revelation” and “Gabriel” which set the groundwork for the divine perspective on “night”, “last night” and the “presence of the hidden messenger” in the poetry of later centuries specially, in Hafez’ poems. Before the genesis of this perspective, “Dūsh” undergoes its first semantic transformation in Khayyam’s Rubayiat, distancing itself from the divine concept associated with “Sorūsh” and Zoroastrian beliefs. …”
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Cohesion in Moghanehee Distiches of Khaghni and Hafez Based on Halliday’s Systemic Functional Theory by Tahereh Babakhani, Ali Heidary, Masud Sepahvandi

“…Based on Halliday’s Systemic Functional Theory, this study tries to reveal the cohesion amount and its creating factors in the distiches of poems. From the distribution frequency and their percentages, it was concluded that the presence amount of cohesion tools in Kaghani’s Moghanehee distiches were more than Hafez’s. …”
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Comparative study of different types of genes with Islamic rhetorical theory in Hafez poetry by Parvin Mashayekh, Seyyed Mahmoud Seyed Sadeghi, Seyed Jafar Hamidi

“…Religious heritage is one of the most important poetry elements of poets in expressing inner feelings and their thoughts so that they have established an intertextual relationship in their poems with the word of revelation. One of the poets whose Qur'anic expressions and meanings are considered one of his most important sources of art is Hafez. …”
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Innovation and traditionalism in Hooshang Ebtehaj,s lyric poems by نجمه نوروزی, سعید حاتمی, جلیل شاکری

“…and how much he has followed special poem qualities of traditional poets like Hafez, Saadi, and Molana. …”
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Analysis of the rhetorical and linguistic concept of the two linguistic signs "Mohtasb" and "Donya" in a lyric by Hafez Based on Omberto Eco's semiotic approach by Yahya Nooraddini Agdam, Narges Mohammadi Badr, Gholamreza Ghaybi

“…Most of the Hafez’s poems are rhetorical criteria that appear in the field of "language" and "meaning," and lead to the perception of the audience to layers beyond the initial level of expression. …”
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Oriental Mysticism in the Works of Konstantin Balmont, the Poet of Symbolism and Poet Laureate of the Russian Language by Marzieh Yahyapour, Masoumeh Motamednia, Janolah Karimi Motahhar

“…The four elements (fire, water, earth, and air) are the main themes of Balmont's poems. Balmont was familiar with Iranian poets such as Mawlānā, Khaghani, and Hafez, and it seems that his poems have been composed of the elements by Persian poets. …”
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Analysis of Classical Poets’ Viewpoints about Editing Poetry and manipulating Stories with an Emphasis on Nezami Ganjavi's Works by Yasin Esmaeely

“…In Persian poetry, there have been poets such as Sanā’ī and Attār or Hafez, par excellence, who were not satisfied with their poetry in its original form and worked for its perfection. …”
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