Hâfız-ı Şîrâzî’nin Divanındaki Toplumsal Değerler by Gürcan Şevket Avcıoğlu, Gamze Gizem Avcıoğlu

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Comparing musical ambiguity in Hafiz's poem with two same-style previous poets; Khajou and Amir Khosro by saeed ghaseminia, esmat esmaeili

“…Our main question is that in use of ambiguity, to what extent hafiz was impressed by Khajou and Amir Khosro. For this purpose, first we have extracted musical ambiguity of the three Divan, then we have separated mutual ambiguities and have written brief description of semantic and structural features of each of them, and by doing so, we have demonstrated that hafiz in his feature style, has paid special attention to khajou's poetry and Amir Khosro's Poetry.…”
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Nûriyye Melâmîleri Divanlarında Yer Alan Bestelenmiş İlâhîler by Elif Sena Avlar, Serbülend Arpa

“…Nûriyye Melâmîlerine ait 14 adet divan incelenmiştir. Bu divanlar Abdurrahîm Fedâî, Ali Örfî, Ömer Lütfî, İştipli Hacı Salih Rıf’at, Abdulmâlik Hilmî, Hulûsi Maksud, Hüseyin Şemsi Ergüneş, Hasan Fehmi Tezdoğan, Üsküplü İsmail Hakkı, Hafız Ahmet Fethî, Hüseyin Sabri Soyyiğit, Ahmet Soyyiğit, Yaşar İhsan Gülver ve Dâvud Yılmaz’a ait divanın arasından 8 tanesinde yer alan 97 adet ilahinin notaya alındığı tespit edilmiştir. …”
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