Showing 21 - 24 results of 24 for search 'grid friendly', query time: 0.04s Refine Results
  1. 21

    Application of Photovoltaic Systems in Field Observation and Research Stations: Research on the Relationship between Power Generation Scale and Electricity Consumption to Improve P... by Jianan Yao, Junfeng Zhu, Binbin Wang, Junkui Niu, Wenbing Liu, Long Chen, Yifan Song

    Published 2023-01-01
    “…Most field scientific observation and research stations are located at the end of power grids which are usually not extended to such areas. …”
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  2. 22

    Integrating Renewable Energy with Internet of Things (IoT): Pathways to a Smart Green Planet by Shojib Mia, Firoz Ahmed, Ibrahim Khan, Md. Emamul Kabir, Mehedi H. Roni, Khadijatul Cobra, Anjuman Ara Khatun, Shahriar Mahmud

    Published 2025-02-01
    “…The global use of IoT-enabled devices powered by renewable energy can create a smart, efficient, and eco-friendly network. By leveraging data analytics and machine learning, these systems can predict energy consumption, optimize resources, and maintain renewable energy assets proactively. …”
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  3. 23

    GravIS: mass anomaly products from satellite gravimetry by C. Dahle, E. Boergens, I. Sasgen, I. Sasgen, T. Döhne, S. Reißland, H. Dobslaw, V. Klemann, M. Murböck, M. Murböck, R. König, R. König, R. Dill, M. Sips, U. Sylla, A. Groh, M. Horwath, F. Flechtner, F. Flechtner

    Published 2025-02-01
    “…These mass change data, available in both a gridded representation and as time series for predefined regions, are routinely updated when new monthly GRACE/-FO gravity field models become available. …”
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  4. 24

    De la poésie au collage, du cinéma au graffiti by Sophie Dannenmüller

    Published 2016-12-01
    “…The fascination of Wallace Berman (1926-1976) for the textual and the visual is manifest in his Untitled (Parchments) series, which evokes the Dead Sea Scrolls, as well as in his photographs and drawings obliterated by an Aleph, his poems written in Chinese ideograms or in numbers which appear in SEMINA (1955-1964) next to his Beat friends’ poems. In the Verifax Collages (1964-1976), letters and signs disturb the linear reading of the grids of images placed in the manner of comic strips to depict the contemporary period. …”
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