International Conference: Ben Lerner “Edge of Genre”: Poetry, Fiction, Artistic Collaborations by Sean Mark, Teresa Teklić

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Tamara S. Wagner, Financial Speculation in Victorian Fiction: Plotting Money and the Novel Genre, 1815–1901 by Nathalie Vanfasse

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Desperately looking for the truth: The traps and trappings of crime fiction in Charles Palliser’s The Unburied by Catherine Mari

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Preface by François Gallix, Vanessa Guignery

Subjects: “…detective fiction…”
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Le détournement du genre policier sur la scène anglaise contemporaine : One Minute (2003) de Simon Stephens et Orphans (2009) de Dennis Kelly by Aloysia Rousseau

Subjects: “…detective fiction…”
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La fiction spéculative sud-africaine : une littérature de genre au service d'une critique de la société sud-africaine contemporaine by Sophie Didier

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Linearity as Metadiscourse in Murray Bail’s Fiction by Marie Herbillon

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Introducing STAF: The Saarbrücken Treebank of Albanian Fiction by Luigi Talamo

“…STAF was bootstrapped using a Stanza model trained on previously unreleased data and then manually corrected by three Albanian speakers supervised by the author, who also revised all sentences. STAF focuses on the fiction genre, featuring 200 sentences selected from nine literary texts written by Albanian contemporary authors.…”
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Fiction and Cyberspace: Reading Dickens in the Information Age by Maria Cristina Paganoni

“…Several analogies are detectable between the construction of fictional worlds typical of Victorian novels and digital entertainment media and storytelling genres, while the intense reader engagement Dickens established between his fiction and the social world is remindful of the online/offline identity performance of Internet users. …”
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The Egyptian Museum in Fiction: The Mummy’s Eyes as the ‘Black Mirror’ of the Empire by Nolwenn Corriou

“…This article considers the way the late nineteenth-century genre of mummy fiction represents the exhibition of Egyptian mummies in the space of private or public museums. …”
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RADIO PLAYS AS A SPECIAL GENRE IN THE WORK OF E. JELINEK by Tatiana V. Akasheva, Alexandra D. Zharkova

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Jean Painlevé : de la science à la fiction scientifique by Florence Riou

“…Et, en tirant du contenu scientifique lui même la substance et la dramaturgie de ses histoires, il propose une mise en fiction de la science qui renouvelle le genre documentaire.…”
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Transforming the Art of Fiction: Walter Besant, Professional Service and the Society of Authors by Richard Salmon

“…Secondly, the essay explores the Society’s professional service in relation to the emerging genre of the literary manual—or ‘how to’ guide to professional authorship—, a connection which in 1884, the year of its official foundation, sparked a memorable debate on the ‘art of fiction’ between Besant and his fellow novelist, Henry James. …”
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Frontières de l’humain et technologies de genre monstrueux by Kevin Lambert

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Le corps de Keetje, malmené dans la fiction et dans sa traduction ? by Marie Fortunati

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Écriture des personnages non binaires dans la fiction jeunesse française 2019-2023 by Alias Alouette

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De l’histoire à la fiction : la réception des Memoirs of the Life of Colonel Hutchinson by Claire Gheeraert-Graffeuille

“…This paper on the reception of the Memoirs argues that the reasons for the nineteenth-century dehistoricization and fictionalization of the Memoirs lie in the generic hybridity of the work as well as in the insistent invitation to readers to read the Memoirs as a historical novel.…”
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Il n’y a rien de nouveau sous le soleil, mais il y a d’autres soleils by Émilie Notéris

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Le désert des héros : récits de vies solitaires dans les séries américaines de fiction by Joseph Belletante

“…In a post-critic perspective, this article offers a portrait of human “states of mind” that will restitute the spectator his symbolic autonomy, through singular solitudes or the loneliness of a group as is shown by four television series that are no longer in production (Friends, The Sopranos, The West Wing and Ally McBeal) in order to allow a global interpretation and that correspond to the main genres of fiction broadcasted by the American network (comedy, drama, and dramedy).…”
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