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AN ORIGINAL COPY: THE FILM ADAPTATION OF KAZUO ISHIGURO’S NEVER LET ME GO / ORJİNAL BİR KOPYA: KAZUO ISHIGURO’NUN NEVER LET ME GO ROMANININ FİLM UYARLAMASI
Published 2016-12-01“…Discussing the novel’s deconstructive strategies through which the categories of the human, authenticity and copy are unsettled, it is suggested that Ishiguro’s text distinguishes itself from science fiction genre where these categories are affirmed by relocating them in a hierarchical relationship. …”
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Nicolas Balutet et Florence Lhote (dir.). 2019. Sida. Une écriture au féminin
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The Legacy of Nineteen Eighty-Four: British Dystopias, from 1984 to the present day
Published 2022-11-01“…As such, British dystopias since 1984 display close links with genres such as post-apocalyptic fiction and climate fiction. …”
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Une histoire oubliée : la genèse française du terme « film noir » dans les années 1930 et ses implications transnationales
Published 2012-12-01“…According to the established historiography, the generic label “film noir” was used in France in 1946 to refer to a series of Hollywood crime fictions produced in the 1940s and 1950s. Since then, the term has been exclusively associated with Hollywood pictures and “film noir” has been considered a specifically American form. …”
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Sublime Gaps
Published 2018-07-01“…This essay examines the ways in which metaphysical detective stories subvert one of detective fiction’s most emblematic features: the investigation’s resolution and the subsequent narrative closure. …”
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“I am a freak of nature”: Tourette’s and the Grotesque in Jonathan Lethem’s Motherless Brooklyn
Published 2020-07-01“…Through the grotesque and laughter, Lethem challenges the traditional representation of disability—and the stereotype of the disabled person—and also the major genres his novel borrows from: detective fiction and the coming-of-age narrative. …”
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« A Flight », de Charles Dickens (1851), récit de voyage ?
Published 2012-06-01“…Dickens’s article is published today by Penguin both as a piece of journalism (in Selected Journalism) and as a piece of fiction (in Selected Short Fiction), which raises the question of the genre(s) to which it belongs. …”
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Ditadura militar e literatura “parajornalística”: desconstruindo relações
Published 2014-01-01“…While the former doesn’t include narration, the latter develops characters and builds a plot, establishing a fictional universe as accepted by authors such as Paul Ricoeur, Mikhail Bakhtin, and Käte Hamburger.…”
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Producing the Popular: John Monk Foster and the ‘Industrial Romance’
Published 2022-03-01“…It then considers the formal pressures associated with serialised newspaper fiction and the kinds of narrative pleasure generated within those constraints. …”
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Serialised Translations in the Estonian Newspapers in the Beginning of the 20th Century (1900‒1940)
Published 2024-07-01“…The results demonstrate that German literature still dominated the serialised fiction translations at the beginning of the century, although many other literatures were used as sources. …”
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Sutures génériques et fêlures intérieures chez Charles Burns
Published 2020-05-01“…First he achieves the miscegenation of two major visual styles of comic art, US 1950s-style noir brush inking and Franco-Belgian Hergé-style clear line. Second he causes genres to clash together by blending narrative clichés from the Fifties’ and Sixties’ most lowbrow pulp fiction and B-movies into quasi-surrealistic plots. …”
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Historia e historización, ficción y metaficción en Los surcos del azar, de Paco Roca
Published 2020-07-01“…This article analyzes, on the one hand, the graphic and narrative processes by which Los surcos del azar, by Paco Roca, sees itself legitimized as a true story and faithful to history and, on the other hand, the techniques which designate it, a contrario, like an artifact and a fictional rewriting. From this counterpoint between the desire to testify and the claim of an assumed artifice, he offers a reflection on the contributions and specificities of memory, discourse and the literary genre of comics in the writing of History.…”
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Rhyme or Reason: Three Patterns of Poetic Interference in the British Crime Novel
Published 2004-12-01“…This essay shows how poetical elements may be integrated to a prose genre, the crime fiction narrative, and the perturbations they may generate. …”
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The Hound of the Baskervilles : Histoire, fantasme et genèse de la narration policière
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Reading Practices of Students of the Metropolitan Metropolis: “Amateurs” and “Pragmatists”
Published 2022-10-01“…The characteristics of these two groups are given, compared with other indicators (love of reading, reading as pleasure, volume of reading, genres of fiction, and others). The main conclusions and results presented in the publication will be of interest to teachers, scientists, representatives of state and public organizations and specifically to students.…”
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