Duncan’s Open Form and Cagean Intermedia: The Practice of “Theatre” After Black Mountain by Edward Alexander

“…Roughly contemporaneous with Jack Spicer’s “Poetry as Magic” workshop, Charles Olson’s west coast delivery of the Special View of History lectures and Duncan’s staging of Medea at Colchis were Cage’s classes on experimental composition at the New School for Social Research. …”
Get full text

Relaciones hipertextuales en la primera etapa de Rodolf Sirera (1969–1977) by Ramon X. Rosselló

“…Sirera is one of the most notable dramatists writing in Catalan, beginning his career with an involvement in what was then called ‘independent theatre’ as a member of groups like the Centre Experimental de Teatre and El Rogle. …”
Get full text

Assessment of Two School-Based Programs to Prevent Universal Eating Disorders: Media Literacy and Theatre-Based Methodology in Spanish Adolescent Boys and Girls by Marisol Mora, Eva Penelo, Teresa Gutiérrez, Paola Espinoza, Marcela L. González, Rosa M. Raich

“…Participants in both experimental groups showed significantly higher self-esteem scores than the control group over time. …”
Get full text

Les Europeras de John Cage : de l’opéra au cirque by Antonia Rigaud

“…The prominent position Cage gave to the theatre in contrast to the rarity of his theatrical work pieces is emblematic of his ambition to re-think the theatre as a locus of experimentation.…”
Get full text

Doubleness on the New York Contemporary Experimental Stage: Bodies and Technology by Emeline Jouve

“…To what extent does the use of technology annihilate or magnify the physical presence of the actor, the traditional soul and raison d’être of the art of the theatre? To answer this question, this paper focuses on works by the pioneering Wooster Group (1975-), the eminent Big Art Group (1999-) and the new rising star of the New York experimental scene, Andrew Schneider (2015-). …”
Get full text

Shakespeare During Covid-19: Expanding Our Theatrical Horizons by Méline Dumot

“…It reflects on three assumptions in particular: that digital theatre is not “real” theatre, that audiences were not active participants during these online performances, and that digital theatre was a simple parenthesis which would close as soon as theatres would open again. …”
Get full text

Créer des formes, inventer des faires by Fabienne Wateau

Get full text

Les écoquartiers, territoires d’expérimentation des nouvelles utopies urbaines ? Le cas de l’habitat participatif by Abdourahmane Ndiaye, Aurélie Carimentrand, Marie-Reine Gallard

“…The sustainable city, slogan of the modern utopias, is a place full of potential, offering different freedoms, links and meaning, a theatre for learning and social expression. Can we imagine building it without its inhabitants? …”
Get full text

Directing Dramas is Returning Hometown: Reading Lin Zhaohua’s The Cherry Orchard from the Perspective of the Taoist Freedom, Xiaoyao by Chengyun Zhao

“…Born in 1936 and starting to produce little theatre praxes in 1982, Lin Zhaohua is the first Chinese theatre director who could be considered the predecessor of most other Chinese directors after the proclamation of the 1978 Reform and Opening-Up policy. …”
Get full text

Deconstructing the Politics of Linguistic Mutation in Tom Stoppard’s Dogg’s Hamlet, Cahoot’s Macbeth by Sarra Jouini

Get full text

Multimodal Opera Performance Form Based on Human-Computer Interaction Technology by Lin Wu

“…To give the opera audience a high-quality viewing experience, the immersive theatre performance has been simulated. Fifty individuals have been used in the experimental assessment and performance studies. …”
Get full text

La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill by Élisabeth Angel-Perez

“…Among the most innovating experimental dramaturgies of this new millenium, constrained (verbatim or post-wittgensteinian) theatre ranks first. …”
Get full text

Canine Actors and Melodramatic Effects: The Dog of Montargis Arrives on the English Stage by Claudia Alonso Recarte

“…Based on a medieval legend, Le chien was originally written for the Parisian stage by Guilbert de Pixerécourt in 1814, and it immediately attracted the attention of English theatre businessmen. English adaptations soon followed, as translations from a variety of sources were presented before a public mesmerized by the feats of Dragon, the memorable canine character. …”
Get full text

City of Wars: the Representation of Wartime London in Two Novels of the 1940s: James Hanley’s No Directions and Patrick Hamilton’s The Slaves of Solitude by Jean-Christophe Murat

“…No Directions entretient des liens assez forts avec la rhétorique et les images—alors à très la mode—des Poètes de la Nouvelle Apocalypse (New Apocalyptic poetry) ; l’expérimentation formelle et linguistique y est donc omniprésente, frisant même l’artificiel par endroits. …”
Get full text

Interventional radiology placement of totally implantable venous access devices in oncology practice by Shao Jin Ong, Gopinathan Anil

“…Traditionally, TIVADs were inserted by surgeons in operating theatres; however, with the transition to imaging-guided insertion, these devices are now implanted by interventional radiologists in most high-volume centres. …”
Get full text