Sur quelques films “sylphiques” by Charlie Hewison

“…Based on the study of two contemporary photochemical experimental films - Zillertal by Jürgen Reble (1991/1997), sound of a million insects, light of a thousand stars by Tomonari Nishikawa (2014) - and a documentary from the 1980s - Chernobyl, A Chronicle of Difficult Weeks by Ukrainian filmmaker Vladimir Shevchenko (1986) -, which we define as “sylphic”, in reference to the writings of the alchemist Paracelsus, for their material capacity to make visible in striking ways the “chaos” or “vital space” of the atmospheres with which they come into contact, we propose to explore the ways in which the notion of atmosphere is becoming central to new theoretical approaches to media.…”
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Who Owns AI? by Amy Whitaker

“…As we navigate these frontiers of AI, experimental models pioneered by artists may be instructive far outside the arts. …”
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Unique Design of Learning Studio Spaces: A Case Study of The Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…Every design institute must have modified art studios which are designed in order to manage or facilitate experimental or practical and revisable or theoretical visual artist' work comfortably. …”
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Unique Design of Learning Studio Spaces: A Case Study of the Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…Every design institute must have modified art studios which are designed in order to manage or facilitate experimental or practical and revisable or theoretical visual artist' work comfortably. …”
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Video y escritura. La inscripción en la interface electrónica y digital by Jacobo Sucari

“…The invention of the electronic image of video, and later of digital compression, opened the doors to radical experimentation that changed the clichés of the film industry and the roles occupied by filmmakers and writers. …”
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