Poetry as Pagan Pilgrimage: the ‘Animative Impulse’ of Thomas Hardy’s Verse by Laurence Estanove

“…All Hardy critics have noted how the poet-novelist’s works often dramatize a constant oscillation between the Pagan and the Christian. …”
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The Philosopher’s Poet: Twenty-First-Century Perspectives on Wallace Stevens by Bart Eeckhout

“…The two different angles are investigated precisely because they fall outside mainstream literary criticism on Stevens and help to dramatize several of the difficulties confronted by poets and philosophers seeking to find common ground. …”
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Intersemiotic Translation: From Medieval Poetry to Modern Movie by Leila Nik Nasab

“…Discussion of Results and Conclusion Since the narrative has manifested in the form of a movie, it naturally incorporates elements of imagination and dramatic aspects. Some events, actions, reactions, and themes are repeated in the screenplay by the filmmaker, while others have been altered in terms of the storyline and contemporary culture, and some parts have been creatively added to the script. …”
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From Dickens’s Theatrical Performance to Contemporary post Dickensian Narrative and Artistic Performance (Acker, Ackroyd, Waters and Rushdie) by Georges Letissier

“…As for Rushdie, the few pages he dedicates to Our Mutual Friend in his Satanic Verses capitalize on Dickens’s histrionic exuberance to stun the reader through verbal fireworks.…”
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