An Empirical Study on the Relationship between Craftsman’s Spirit and Economic Growth of Construction Industry by Furong Bai, Huanru Wang

“…Based on defining the craftsman’s spirit of the construction industry and constructing its comprehensive evaluation index system, a panel data model is established to analyze the relationship between the craftsman’s spirit and the economic growth of the construction industry and regional differences. …”
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Crafts: Effectiveness of master craftsman bonuses by Petrik Runst

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The Studio and the Craftsman as Artist: A Study in Periodical Poetics (1893–1900) by Catherine Delyfer

“…In The Studio, the craftsman became the new artistic paradigm, thus leading to major changes in the readers’ perception of the artist, the nature of art and their relation to industry and commerce.…”
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THE CORRELATION OF PERSONAL PROTECTIVE EQUIPMENT SOCIALIZATION TOWARD THE CHANGING OF OCCUPATIONAL SAFETY AND HEALTH BEHAVIOR OF MUSICAL INSTRUMENT CRAFTSMEN by Muhammad Zakwan Hamdani, Edwina Rudyarti, Sisca Mayang Phuspa

“…Background: Cultural conditions K3 in the industry Small Medium Enterprises (SME) craftsmen of traditional musical instruments is low only use 2 personal protective equipment that is protective mask and gloves. …”
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Par-dessus l’épaule du maître. Approche matérielle de l’adaptabilité artisanale médiévale : l’exemple des « brocarts appliqués » savoyards by Ariane Pinto

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Os mesteirais e o concelho de Lisboa durante o século XIV: um esboço de síntese (1300-1383) by Bruno Marconi da Costa

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Fur Processing in Raižiai in the 20th Century: Craft and Image by Jonas Mardosa

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Collectivity in the generation of income and local development: A comparison between Israeli Moshavim and an association of Maria da Fé, Braz by Bianca Siqueira Martins Domingos, Adriana Prest Mattedi, Adilson da Silva Mello, Rosinei Batista Ribeiro

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Le port antique de l’agglomération des Mureaux (Yvelines) by Jean-Michel Morin

“…Within this craftsman’s quarter, fishery, butchery, tannery, pottery workshops, glasswork and metallurgy activities are attested. …”
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Drawings and Scale Models Used in Building the Spanish Royal Sites by Pilar Chías, Tomás Abad

“…The building works were supervised by architects or draftsmen, who were responsible for the project’s definition and construction respectively. …”
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Étude de trois grands tonneaux mis au jour à Reims/Durocortorum (Marne) : le savoir-faire des tonneliers antiques by Pierre Mille, Philippe Rollet

“…The essential contribution of the analysis of these marks lies in the fact that it is possible to make a clear distinction between struck marks and branded marks, as the positioning of each of these apparently depends on formal and recurrent practices that vary for each craftsman who placed them on the barrel. The marks found in Reims, in addition to those on other European vats –nearly 200 examples are currently listed (most of which were found along the Roman Limes)– confirm a long and complex operational sequence, which involved very numerous specialised craftsmen who signed their work. …”
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Caractérisation physico-chimique de pigments de peintures murales mochica : San José de Moro (viiie-xe siècles apr. J.-C.) by Nicola Sardos, Nino Del-Solar-Velarde, Rémy Chapoulie, Luis Jaime Castillo Butters

“…To the pre-Columbian Mochica culture, a culture that did not develop through writing, mural painting is a strong ideological vector that involves the implementers of those decorations and specialized craftsmen, as well as their sponsors, members of the ruling elite. …”
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KAJIAN SOSIAL KARYA SENI KRIYA KAYU DI DESA MULYOHARJO KABUPATEN JEPARA by Suharto Yusuf, Fivin Bagus Septiya Pambudi

“…This is probably not realized by the kriyawan who appear instantly and oriented to a market. It's the same with craftsmen in Mulyoharjo Village, although there are those who have the idea of working through an artistic instinct and become unconventional craft craftsmen in their social community.…”
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Economia criativa e resistência: o artesanato indígena no Estado do Rio de Janeiro by Diego Santos Vieira de Jesus

“…At the same time, craft offers greater visibility to cultural production of marginalized social groups such as indigenous people and brings potentially transformative discussions about their conditions and position in public policies and laws aimed at the craft itself, as well as the craftsmen’s social organizations.…”
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“… Murtaza-Ali Ogly”. (Concerning the origin of Chilla and Magomad Murtazalievs) by Sergey V. Talantov

“…In the late 20th century to early 21st century, a number of works on Caucasian arms stated that craftsman Chilla and his younger brother Magomad came from the Stariy Yurt village in the Groznenskiy county of the Terek region. …”
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« MaT(i)erre(s) » : vers une architecture ? by Yann Nussaume, Antoine Kilian

“…To do this, it considers the various pathways and questionings of these architects which led them to their interest in “MaT(i)erre(s)”, and discusses some of their common orientations: rethinking the role of material as a catalyst for design; reassessing the architect/craftsman's estrangement; and promoting experimentation and research. …”
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Reflections on Pragmatism as a Philosophy of Architecture by David Macarthur

“…I end by invoking the craft ethos as articulated by Richard Sennett in his book The Craftsman (2008), as perhaps the best model of what a pragmatist architecture might look like.…”
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