Bunt i nostalgia. Filmy dokumentalne o festiwalu w Jarocinie by Stanisław Bitka

“… The aim of the article is to present and attempt to classify documentary films about the Jarocin music festival. …”
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Drawing in Search of Truth and the power of digital contagion. by Gary Embury, Mario Minichiello

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Volyn tragedy in cinema and theatre by Oksana Kalishchuk

“…Today, cinema and theatre works are the elements of national self-identification and the formation of national memory. Documentary and especially feature films can restore and reinforce old stereotypes and create new myths. …”
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Des créateurs et des curateurs aux frontières des arts visuels et du cinéma documentaire. Maroc – Tunisie (2011-2016) by Marie Pierre-Bouthier

“…We begin by questioning the reasons why contemporary art attracts these filmmakers: they try to adapt their practice to a restrictive cinema system, and to achieve differently their documentary ambitions. These adaptation strategies led collectives to conceive new ways of creating and exhibiting, in order to allow artists from all background to meet another public. …”
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Les images auto-empruntées dans Les Vacances du cinéaste (Pays-Bas, Johan van der Keuken, 38 min., 1974) by Caroline Lardy

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Cinemas and Spectators of International Development by Molly Geidel

“…This article tracks how mid-20th century US and Latin American documentary filmmakers created a visual and narrative repertoire that encouraged spectators worldwide to imagine a global transformation from the stagnant living death of underdevelopment to striving, productive life-in-development. …”
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De la « casa segura » au slogan : dramaturgies en huis-clos et injustices politiques au Chili by Célia Jésupret

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A Review of Understand Film Studies by Ali Sheikhmehdi, Arsalan Moghadas

“…The book Understand Film Studies aims to equip its reader with necessary concepts for film critique; in this regard, the author describes the definitions of aesthetic and film structure, film genres and documentary, and by giving examples and expressing the basic concepts of each one, it aims to clarify the topics. …”
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Uwaga, ekran, akcja, reakcja. Czym jest dokument interaktywny – perspektywy rozwoju w Polsce na podstawie badań by Anna Desponds, Anna Szylar

“…Interactive documentaries bring new possibilities of artistic expression. …”
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Un cinéma palestinien « en mal d’archive » by Laure Fourest

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Construire la mémoire et l’identité autochtones aux États-Unis. Le documentaire photographique Project 562 de Matika Wilbur by Aurélie Journée

“…Through the analysis of the photographic series Project 562 created by Indigenous North American artist Matika Wilbur, our study aims to question the concept of « photographic documentary » regarding Indigenous representations of themselves. …”
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Cinematography - A Medium for International Studies: Applying Film to Advocacy & Social Change by Cédrine May Wettengel

“…It explores discourse generated by the documentary BROKEN and leans on the previous articles in the Trilogy. …”
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PROFESSIONAL DOCUMENTARY AND AMATEUR VIDEOS ABOUT BAD ROADS OF THE RUSSIAN NORTH IN THE CONTEXT OF THE CULTURAL LANDSCAPE / ПРОФЕССИОНАЛЬНОЕ ДОКУМЕНТАЛЬНОЕ КИНО И «НАРОДНОЕ» ВИДЕО... by LAVRENOVA OLGA A. / ЛАВРЕНОВА О.А.

“…Northern latitudes exacerbate this problem, and visual images become a vivid component of local socio-cultural practices and of ideas about these lands, shaped as a result of viewing documentary videos. Documentary has various levels, from spontaneous filming to professional non-fiction films. …”
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Uśpiony temat. O (nie)obecności problemu Marca 1968 roku w kinie dokumentalnym okresu PRL by Maciej Pietrzak

“…The article focuses on the earlier period, and its main objective is to find echos of this political crisis in documentary films created before the collapse of the communist regime in Poland. …”
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Dominique Darbois et la collection « Enfants du monde ». La photographie entre fiction et documentaire by Frédérique Lemarchant

“…Created in the 1950s by the publisher Nathan, the “Enfants du monde” collection introduced the photographic work of Dominique Darbois. …”
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Ear to the ground. Searching for ourselves in each other by Witold Stok

“…Despite the difficulties created by the Soviet totalitarian state to isolate Paradjanov, Stok managed to reach the director and also to watch his documentary film about the frescoes in Kiev at a special secret club screening. …”
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„Od świtu do zmierzchu” – współczesne obrazy miasta w projektach dokumentalnych Maciej Drygasa i Mirosława Dembińskiego by Katarzyna Mąka-Malatyńska

“…Contemporary Images of the City in the Documentary Projects of Maciej Drygas and Mirosław Dembiński The text refers to two documentary projects that were created by well-known Polish documentary film directors: Maciej Drygas and Mirosław Dembiński. …”
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La cité d’expériences à l’épreuve d’une traduction par le design by Caroline Bougourd

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L’écriture cinématographique de la sociologie filmique. Comment penser en sociologue avec une caméra ? by Pierre Maillot

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Podwodne, kosmiczne, duchowe. Miasta rosyjskie a sfera publiczna w filmach skandynawskich dokumentalistów by Anna Estera Mrozewicz

“…As a consequence, the residents escape from their stark reality to create alternative, imaginary spaces – be it a lost paradise, like the underwater city of Mologa in Pensala’s film, a cosmic heterotopia, like the space of art in Bertram’s Tankograd, or a spiritual universe, like in Søby’s short documentary. …”
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