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Voice-Over Text in Documentary Film Discourse
Published 2022-09-01“…The article is devoted to the characteristics of the voice-over text functions as a way to embody the film discourse of a documentary film that recreates the image of M. Gorky during the last ten years of his life. …”
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Documentary as a Multiple Reality: Verbatim “The Sun Rises”
Published 2020-01-01“…The relevance of the study is due to the need for further research on the social and aesthetic function of the verbatim - a play created on the basis of editing written documentary sources. …”
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Barbara Hammer’s History Lessons as a documentary utopia
Published 2018-04-01“…This article is devoted to the third part of Barbara Hammer’s documentary trilogy, History Lessons. The author analyzes and interprets the form and message of this post-queer essay, with the aim of describing its formula in relation to the mockumentary and found-footage film conventions. …”
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The Making-of Documentary: An Approximation to some Discourse Intentions and Contemporary Uses
Published 2025-02-01“… Based on the theoretical studies that have been published to date regarding the Making- of Documentary — concerning intertextuality, film studies, critical theory, mass communication theory and audiovisual didactics — we explore its specificities as a meta- cinematographic practice that manifests itself when a film accounts for the process of creating another film. …”
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The Relationship Between Form and Content in Early Grzegorz Królikiewicz Documentaries
Published 2014-06-01“…An internal conflict is created by the relationship between form and content, the tension between them, and sometimes even discussion. …”
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Speculative Documentary as World-Building: Contaminated Knowledge and Future-Making
“…In the context of climate emergency and growing mistrust in knowledge institutions, both science and documentary practice have often been positioned as neutral authorities. …”
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Metaphor, Metonymy and Metalepsis: Three Tropes in Contemporary Slovak Documentary
Published 2014-06-01“…Finally, Juraj Lehotsky in his Blind Loves involves fiction in actuality, by representing his own ideas of blind peoples’ visions and fantasies, creating a metaleptical documentary chronotope. In accordance with George Lakoff and Mark Johnson’s cognitive theory of meaning, the paper presents metaphor, but also other figures and tropes as means that help to understand one kind of experience in terms of another kind of experience. …”
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Methods for designing strategic narratives in the description of the 2022 Russian-Ukrainian war in documentaries
Published 2023-10-01“…The authors underline the important role of teledocumentaries in creating an emotional and intellectual response to geopolitical topics among television viewers and attempt to analyse six documentaries focusing on the current war in Ukraine. …”
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On a construction site – a change of perspectives. Architecture in Polish documentaries of the 1960s.
Published 2019-01-01“… Film documentaries: Energia [Energy] by Władysław Ślesicki and Czas przemiany [The Time of Transformation] by Andrzej Piekutowski are film examples of changing perspectives in Polish documentary film of the 1960s. …”
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Revealing the Ideology of Documentary Film Dirty Vote: Critical Discourse Analysis with Transitivity Perspective
Published 2024-05-01“…The Dirty Vote documentary movie attempted to depict the ambiance of Indonesia’s general election. …”
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Interactive documentary as a living and embodying experience to represent reality: A practice-based case study
Published 2024-12-01“… This article introduces an innovative approach to comprehending the portrayal of reality within interactive documentaries. Drawing upon my filmmaking expertise, I created the interactive documentary Eden Again to examine how this multimedia genre portrays our understanding of a location, cultures, and social bonds by representing the controversial stories of drying the Marshlands of Iraq. …”
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2000-2015 : un âge d’or du format webdocumentaire
Published 2024-03-01“…It was born within communities of innovative thinkers who imagined new ways of shooting, creating and screening documentary films in the early 2000s, against a backdrop of democratizing Internet access and broadband. …”
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Wiews of the nation's memories: A stereotyped vision of the Lithuanian history of the 20th century in Lithuanian documentary films
Published 2005-06-01“…What views have become conventional representations of certain historical events, phenomena, and processes in Lithuania? A series of documentary films on the Lithuanian history of the 20th century created in 1990-2004 has been chosen as the object of the analysis. …”
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The Philosophical Aspect of the Spatial-Temporal Rhythms of the Social Space of the City in the Documentary: Using the Example of Dziga Vertov’s Screen Chronotope
Published 2024-12-01“…In a documentary film, montage is an important semantic tool with which the spatial component of the rhythmics of the city is created. …”
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Storytelling in VR, CAVES and other emerging forms: An interview with Roderick Coover by Katarzyna Boratyn
Published 2018-04-01“…The following interview with Roderick Coover asks how emerging cinematic technologies transform documentary storytelling. Though his early ethnographic projects, such as Concealed Narratives (1996, filmed and photographed in Ghana) and the Harvest (1999, filmed and photographed in France), he created interactive documentary forms that could bridge modes of expression. …”
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Creating a Cinema of Boxing in Day of the Fight (Stanley Kubrick, 1951)
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Poetics of Book “Journey of Russian Imperial Sloop “Diana” from Kronstadt to Kamchatka ...” by V. M. Golovnin: Features of Documentary and Fiction Prose
Published 2023-01-01“…Such issues as the thematic content of “Journey...”, the role of the author’s worldview in creating a single artistic whole, and the features of the aesthetic organization of documentary material are considered. …”
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Students perceptions of fake news created by artificial intelligence: The case of deep Soria
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