Identification and Stylistic Analysis of the Artistic Expression on Opa, Yoruba Sculptural Verges by Michael Olaniyi Ajadi

“…Analytical review and critical appraisal methodologies were utilized for diverse verges; pictures were collated for critical examination of stratified motifs and symbols with the objectives of contextual and conceptual analyses. Findings unveiled artists’ expression towards this symbol of superiority which exists within the hierarchical structure of chieftaincy and religious cults’ orientations of Yoruba gods. …”
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Sociologia, cultura e arte: um debate entre espaços e tempos by Eliska Altmann

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Pomiędzy queerową subwersją a „middle-class mainstreaming”. O twórczości drag queen Mony Lizak by Magdalena Stoch

“…The author asks about the form (stage style) and content (ideological message) of the artist’s con­ceptual and speculative works and its connections with the tradition of queer performance. …”
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The The Transformative Power of Cultural Heritage: The Avant-garde of the Interwar Period at the Exhibitions of the Museum of Art in Łódź towards the Conservative Turn by Piotr Słodkowski

“…Focusing on the expositions at the Muzeum Sztuki [Museum of Art] in Łódź, in particular two displays: Pole, Jew, Artist… and Correspondences, the author asks a question: What methodological assumptions were those expositions based on and how did they transcend the traditional discourse of the Polish history of art? …”
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Le « paysage urbain » en question by Naouel Bchir Jaber

“…First, a genealogical approach focuses on the artistic and conceptual construction of the urban landscape. …”
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The architecture of the church of St. Demetrius in New Belgrade (1998-2001): A new element of the city's identity by Aćimović Emilija

“…Demetrius stood out not only for its artistic qualities, but also for changing the identity of the area. …”
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L’Observatoire photographique national du paysage : transformations d’un modèle et hypothèses renouvelées de paysage by Frédérique Mocquet

“…The article also takes a critical look at the founding theoretical and conceptual principles (even those not formulated) which inspired a programme with such a strong rhetorical dimension and compares these principles with the systems implemented. …”
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„INTERNET SYMPHONY No. 1”: RETHINKING THE ORCHESTRA AS A VIRTUAL COMMUNITY by Bianca ŢIPLEA TEMEŞ

“…The interaction between musicians is redefined within a multiplicity of contexts, providing a new framework for conceptualizing the artistic act as a matrix of integrative “multi-track creativity”. …”
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