The French Actor on the London Stage: Charles Fechter by Catherine Quirk

“…The American critic Henry Austin Clapp describes him as ‘a master of the exterior symbolism of the histrionic art’, and the actor’s own annotations to his acting copy of Othello reflect the focus he placed on the development of his character through gesture, posture, movement, and other superficial markers. …”
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The financial character of policing in Tunisia: collusions, extraversion and the criminalization of informality by Daniela Musina

“…These concepts serve to illuminate the co-constitutive (entangled) character of these practices, while bearing their negotiated dependent extraverted configurations, but also their complex and networked (assembled) character. …”
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Canine Actors and Melodramatic Effects: The Dog of Montargis Arrives on the English Stage by Claudia Alonso Recarte

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Perceptions of Fairness of Support Between Older Parents and Adult Children by Anna Willems, Dimitri Mortelmans, Anina Vercruyssen

“…Our study adopts a multi-actor interview approach and simultaneously looks at the perspective of 40 adult children and one of their older aged parents (65 years or older). …”
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Un tournant dans les albums de littérature de jeunesse : de l’enfant acteur à l’enfant auteur  by Renaud Hétier

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Desdemona’s changing voices: from the “Willow Song” to the “Canzona del Salice” by Chantal Schütz

“…The Willow Song in Shakespeare’s Othello involves a complex intertwining of mimetic processes: a boy actor enacts the female Desdemona, who imitates a maid called Barbary singing an old ditty, while the original singer referred to herself as a singing (or sighing) lover sitting at the foot of a tree. …”
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Adébáyọ̀ Fálétí, Icon on Screen by Toluwanimi Ibikunle

“…A significant part of this presentation lies in the deliberate choice of actors whose off-screen personas already enjoy public acclamation as knowledgeable ‘masters’ or practitioners of Yorùbá culture and traditions. …”
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Acting Styles, Nuances and Linguistic Aesthetics: A Case Study of Ibrahim Chatta in Yoruba Films by Adejoke Adetoun Fadirepo, Adeyemi Oluwadamilare Oresanya

“…The inability to acculturate to the expected character through diction, gesticulation and socio-linguistic nuances create disorientation between the actors and the audience. …”
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« Parlez-vous franglais ? » La galimafrée des langues dans Henry V  by Jean-Michel Déprats

“…It is in part up to the actor to individualize speech and find idiosyncrasies that will enable him to impersonate a particular character. …”
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Competition Studies: Structuring Competencies in University Entrepreneurship Programs by Yu. V. Rubin, M. V. Lednev, D. P. Mozhzhukhin

“…In this case, it is important to place competition competencies on relevant position within mainstream research in entrepreneurship education.The purpose of this article is to take a rational approach to defining, classifying competition competencies in entrepreneurship, and to structuring them as significant learning outcomes in entrepreneurship education in accordance with the types, kinds, methods, character, manners, styles of actor’s competition behavior, directions of competition management. …”
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Audience Study as Catalyst in Sustainable Nollywood Yoruba Film Industry by Adejoke Adetoun Ademuyiwa, Eunice Uwadinma-Idemudia

“…This is done in order to determine the performance ratings of non-Yoruba native actor’s skill of character interpretation in cultured films. …”
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Colonial Diplomatic Relations and the Development of Pearling Industry in the Netherlands Indies, 1894-1899 by Rangga Ardia Rasyid

“…It demonstrates that the Dutch colonial state was not simply a passive actor reacting to external threats. Instead, it actively participated in creating the legal framework for pearl fishing in the region.…”
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ACTIVITIES OF THE MIDDLE EAST QUARTET AND ITS PARTICIPANTS TO ACHIEVE ISRAELI-PALESTINIAN SETTLEMEN WITHIN THE ROAD MAP PROJECT (2003 – 2008) by I. A. Leshchenya

“…Nevertheless, the very fact of the Quartet creation, which evidenced that even the most influential global actor has no power to solve all aspects of the regional conflict on its own, became a sign of gradual transformation of a unipolar world towards a multipolar one.…”
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The First Governor of Mecca: ʿAttāb b. Asīd, His Life and Political Activities by Ümit Eskin

“…History, while talking about the main actor, the human being,While talking about the leading actor, the human being, history selects and distinguishes people who greatly influence humanity rather than ordinary life stories and depicts these individuals according to the most salient features of their lives and characters. …”
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Modeling the relationship between the moral charter derived from Islamic teachings and performance with the mediating variable of employees' perception by leila jahantigh, Abbas Babaeenezhad, Mohsen Zayandehroudi, saeed sayadi

“…Theories of ethical writing emphasize the character of the individual and the intention of the actor, as opposed to the character of the action itself or the consequences of the action. …”
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OVERCOMING THE ANTINOMIES OF HUMAN EXISTENCE: ONTOLOGY OF TRICKSTER by T. V. Danylova

“…The breaking of cyclical time of the myth and deploying it into linear time gave rise to characters-doubles: the only one mythological image disintegrated and turned into different actors. …”
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OVERCOMING THE ANTINOMIES OF HUMAN EXISTENCE: ONTOLOGY OF TRICKSTER by T. V. Danylova

“…The breaking of cyclical time of the myth and deploying it into linear time gave rise to characters-doubles: the only one mythological image disintegrated and turned into different actors. …”
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THE REPRESENTATION OF NATIVE AMERICAN IN THE LONE RANGER FILM: A GENETIC STRUCTURALISM ANALYSIS by Dyani Prades Pratiwi

“…As a mass culture, this film was produced to gain profits. choosing John Depp is a form of strategy to achieve the film's success because Johnny Depp is one of the top actors who has many fans. Portraying characters using well-known actors is one of the strategies for achieving the success of a film. …”
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’n Speelbaarheidsbenadering vir die vertaling van rolprente by Louis Calitz

“… This article argues that dubbing translation involves more than “mere” translation: it is the task of the dubbing translator to create dialogue that has to be spoken by dubbing actors and, for this reason, playability can be the only true test for the success of a dubbing translation. …”
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The Work of Political Armadores in Argentina: ‘Behind the Scenes’ Challenges, Instruments and Skills by Mariana Gené

“…This article analyses the multi-faceted character of political work based on research on political operators or armadores from the return to democracy onward in Argentina. …”
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