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1741
Organizing an in-class hackathon to correct PDF-to-text conversion errors of 1.0
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1742
Developing an effective teaching model in order to improve the educational level of schools
Published 2024-09-01Get full text
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1743
Aesthetics and Ethics in Anna Jameson’s Characteristics of Women
Published 2023-03-01“…In addition, because they are complete, the characters are aesthetic wholes, and art-works in turn are aesthetic wholes just when they depict characters as aesthetic wholes. …”
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1744
How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses
Published 2024-12-01“…It argues that Woolf theatricalises literature to understand it through the art of acting, in particular the building up of characters. …”
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1745
Almodóvar’s Baroque Transitions in the Early Films (1980–1995)
Published 2024-12-01“…Like Baroque art, which often featured grandiose and emotionally charged narratives, Almodóvar’s films are filled with intense emotions, complex relationships, and larger-than-life characters. …”
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1746
GIUSEPPE VERDI: UN BALLO IN MASCHERA
Published 2011-06-01“…Due to strenuous political times, Verdi was compelled to change the setting of his opera and also alter the names of the characters in order not to create havoc for the entire art scene on Italy. …”
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1747
A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert
Published 2014-11-01“…If we want to consider Madame Bovary as an innovative work of art it is crucial to visualize Flaubert’s narrative strategy. …”
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1748
Vidas desperdiçadas? Uma análise de Estamira, de Marcos Prado, e No quarto de Vanda, de Pedro Costa
Published 2013-01-01“…However, when hoisted by the hands of filmmakers, they are transformed into characters of their own and make room for something that has always been historically denied to them: the speech. …”
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1749
‘We’re All Mad Here’: Alienation, Madness, and Crafting Tom Waits
Published 2023-08-01“…This section will also include Tom Waits’ depiction of some characters as grotesques, as they form the limits of societal acceptance. …”
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1750
Dramatic transfers: Mural painting and religious theatre in the Western Alps during the sixteenth century
Published 2021-12-01“…Transference can take place between different media, like religious theatrical mysteries and painted works of art such as alpine chapels’ wall paintings. This paper explores the circulation of theatrical mysteries through the Alps between Provence, Brianzonese and Piemonte. …”
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1751
Les codes du factice dans Big Fish de Tim Burton
Published 2009-12-01“…The film unfolds as a visual variation on the art of storytelling and on the way it is passed on. …”
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1752
Excès et sacré dans la littérature victorienne et édouardienne
Published 2006-12-01“…Dickens seems to tower above his contemporaries with his unusual production and by creating excessive characters (like Miss Havisham). Unlike Lewis Carroll and Edward Lear who practised the art of controlled transgression, Hardy stands out as « Hardy the Degenerate » because he was bold enough to resort to blasphemy in his last novel Jude the Obscure. …”
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1753
Sutures génériques et fêlures intérieures chez Charles Burns
Published 2020-05-01“…First he achieves the miscegenation of two major visual styles of comic art, US 1950s-style noir brush inking and Franco-Belgian Hergé-style clear line. …”
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1754
The Symbolism and Aesthetics of the Window as a Visual Motif in the TV Series “The Handmaid’s Tale”
Published 2025-01-01“…However, there is still a dearth of scholarly works focusing on the analysis of the series’ staging and art direction. Accordingly, a comprehensive enquiry is performed here into one such aspect, namely, the windows appearing in the first season of the series. …”
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1755
« Between the heaven and man came the cloud » : John Ruskin et la représentation des états de la matière dans Modern Painters
Published 2010-06-01“…The works of John Ruskin attempt to define the beauty of nature, so that man may be able to recreate it, to reprocess it through art and then access truth. Whether in the spheres of painting, architecture, or geology, Ruskin strives to guide the reader’s perception, and the four elements remain at the core of his thinking. …”
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1756
American rhapsodies revisited: figures de l'altérité et voix mêlées dans Music through the Floor (2005) d'Eric Puchner
Published 2012-04-01“…In keeping with some famous works of art–mainly musical or cinematographic–aimed at characterizing the U.S.A. as a whole, Puchner's writing gives birth to a rhapsodic form in which, even though they do blend sometimes in an elusive way, each voice is that of a soloist performing on his own in a "community of loners".…”
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1757
Le français dans l’écriture conradienne
Published 2013-09-01“…The result is that French is essential to his art in so far as it provides a constant challenge to the master discourse of the authorial voice and thus constitutes the basis of the poetic dimension of his prose based on the Lacanian notion of lalangue, as if French acted as a surrogate maternal language.…”
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1758
Alienation, Adoption or Adaptation? Aestheticist Paintings by Women
Published 2011-11-01“…The same has not occurred for the visual art of Aestheticism.To address the work of gender within Aestheticism, this paper proposes some specific works by women artists as characteristic of the style. …”
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1759
La transmission de la mémoire dans les romans de Marie-Claire Blais
Published 2013-03-01“…The violence of the past is associated to the brutality of the modern world, and suggests an apocalyptic future. Only art and human solidarity seem to bring a certain light of hope to the characters.…”
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1760
Biblical Turns of Phrase, Repetition and Circularity in Oscar Wilde’s Salome
Published 2006-12-01“…Written in French and translated into English by Lord Alfred Douglas with the help of the author himself at a time when novelists, poets and playwrights celebrated artifice and started revolutionising the forms of their art, Oscar Wilde’s Salome (1893) created a new language and located radical representational possibilities. …”
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