Showing 1,741 - 1,760 results of 2,378 for search 'character (arts)', query time: 0.13s Refine Results
  1. 1741
  2. 1742
  3. 1743

    Aesthetics and Ethics in Anna Jameson’s Characteristics of Women by Alison Stone

    Published 2023-03-01
    “…In addition, because they are complete, the characters are aesthetic wholes, and art-works in turn are aesthetic wholes just when they depict characters as aesthetic wholes. …”
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  4. 1744

    How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses by Caroline Marie

    Published 2024-12-01
    “…It argues that Woolf theatricalises literature to understand it through the art of acting, in particular the building up of characters. …”
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  5. 1745

    Almodóvar’s Baroque Transitions in the Early Films (1980–1995) by Frederic Conrod

    Published 2024-12-01
    “…Like Baroque art, which often featured grandiose and emotionally charged narratives, Almodóvar’s films are filled with intense emotions, complex relationships, and larger-than-life characters. …”
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  6. 1746

    GIUSEPPE VERDI: UN BALLO IN MASCHERA by Júlia KÖPECZI KIRKÓSA

    Published 2011-06-01
    “…Due to strenuous political times, Verdi was compelled to change the setting of his opera and also alter the names of the characters in order not to create havoc for the entire art scene on Italy. …”
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  7. 1747

    A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert by Franck Dalmas

    Published 2014-11-01
    “…If we want to consider Madame Bovary as an innovative work of art it is crucial to visualize Flaubert’s narrative strategy. …”
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  8. 1748

    Vidas desperdiçadas? Uma análise de Estamira, de Marcos Prado, e No quarto de Vanda, de Pedro Costa by Mônica Horta Azeredo

    Published 2013-01-01
    “…However, when hoisted by the hands of filmmakers, they are transformed into characters of their own and make room for something that has always been historically denied to them: the speech. …”
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  9. 1749

    ‘We’re All Mad Here’: Alienation, Madness, and Crafting Tom Waits by Nadia López-Peláez Akalay

    Published 2023-08-01
    “…This section will also include Tom Waits’ depiction of some characters as grotesques, as they form the limits of societal acceptance. …”
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  10. 1750

    Dramatic transfers: Mural painting and religious theatre in the Western Alps during the sixteenth century by Marianne Cailloux

    Published 2021-12-01
    “…Transference can take place between different media, like religious theatrical mysteries and painted works of art such as alpine chapels’ wall paintings. This paper explores the circulation of theatrical mysteries through the Alps between Provence, Brianzonese and Piemonte. …”
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  11. 1751

    Les codes du factice dans Big Fish de Tim Burton by Anne-Marie Paquet-Deyris

    Published 2009-12-01
    “…The film unfolds as a visual variation on the art of storytelling and on the way it is passed on. …”
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  12. 1752

    Excès et sacré dans la littérature victorienne et édouardienne by Annie Escuret

    Published 2006-12-01
    “…Dickens seems to tower above his contemporaries with his unusual production and by creating excessive characters (like Miss Havisham). Unlike Lewis Carroll and Edward Lear who practised the art of controlled transgression, Hardy stands out as « Hardy the Degenerate » because he was bold enough to resort to blasphemy in his last novel Jude the Obscure. …”
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  13. 1753

    Sutures génériques et fêlures intérieures chez Charles Burns by Jean-Paul Gabilliet

    Published 2020-05-01
    “…First he achieves the miscegenation of two major visual styles of comic art, US 1950s-style noir brush inking and Franco-Belgian Hergé-style clear line. …”
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  14. 1754

    The Symbolism and Aesthetics of the Window as a Visual Motif in the TV Series “The Handmaid’s Tale” by Ángeles Martínez-García, Mónica Barrientos-Bueno

    Published 2025-01-01
    “…However, there is still a dearth of scholarly works focusing on the analysis of the series’ staging and art direction. Accordingly, a comprehensive enquiry is performed here into one such aspect, namely, the windows appearing in the first season of the series. …”
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  15. 1755

    « Between the heaven and man came the cloud » : John Ruskin et la représentation des états de la matière dans Modern Painters by Lawrence Gasquet

    Published 2010-06-01
    “…The works of John Ruskin attempt to define the beauty of nature, so that man may be able to recreate it, to reprocess it through art and then access truth. Whether in the spheres of painting, architecture, or geology, Ruskin strives to guide the reader’s perception, and the four elements remain at the core of his thinking. …”
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  16. 1756

    American rhapsodies revisited: figures de l'altérité et voix mêlées dans Music through the Floor (2005) d'Eric Puchner by Nathalie Vincent-Arnaud

    Published 2012-04-01
    “…In keeping with some famous works of art–mainly musical or cinematographic–aimed at characterizing the U.S.A. as a whole, Puchner's writing gives birth to a rhapsodic form in which, even though they do blend sometimes in an elusive way, each voice is that of a soloist performing on his own in a "community of loners".…”
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  17. 1757

    Le français dans l’écriture conradienne by Claude Maisonnat

    Published 2013-09-01
    “…The result is that French is essential to his art in so far as it provides a constant challenge to the master discourse of the authorial voice and thus constitutes the basis of the poetic dimension of his prose based on the Lacanian notion of lalangue, as if French acted as a surrogate maternal language.…”
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  18. 1758

    Alienation, Adoption or Adaptation? Aestheticist Paintings by Women by Pamela Gerrish Nunn

    Published 2011-11-01
    “…The same has not occurred for the visual art of Aestheticism.To address the work of gender within Aestheticism, this paper proposes some specific works by women artists as characteristic of the style. …”
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  19. 1759

    La transmission de la mémoire dans les romans de Marie-Claire Blais by Eva Pich-Ponce

    Published 2013-03-01
    “…The violence of the past is associated to the brutality of the modern world, and suggests an apocalyptic future. Only art and human solidarity seem to bring a certain light of hope to the characters.…”
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  20. 1760

    Biblical Turns of Phrase, Repetition and Circularity in Oscar Wilde’s Salome by Sébastien Salbayre

    Published 2006-12-01
    “…Written in French and translated into English by Lord Alfred Douglas with the help of the author himself at a time when novelists, poets and playwrights celebrated artifice and started revolutionising the forms of their art, Oscar Wilde’s Salome (1893) created a new language and located radical representational possibilities. …”
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