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Analysing individual racism portrayal in Hanna Alkaf’s novel The Weight of Our Sky
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Narrative Environment of Malgudi: Space, Autonomy, and Belonging
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Liberation via Reliving the Suffering: A Study of August Wilson’s Monologues
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Une alternative à la sculpture en bois polychromé: les draperies de toiles apprêtées, façonnées et peintes
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THE PORTRAIT OF RUXANDA IN THE OPERA ”ALEXANDRU LĂPUŞNEANU” OF THE BESSARABIAN COMPOSER GHEORGHE MUSTEA
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Le Diable au xxe siècle
Published 2011-06-01“…At the dawn of the past century, the diffusion of the character of Mephistopheles, conceived as the modern evolution of the image of Satan, was an extraordinarily important social and cultural phenomenon from the perspective of spreading the Christian faith within the collective imaginary. …”
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ENSEMBLE MUSIC AS EDUCATIONAL AND COMMUNICATIVE RESOURCE. ONLINE SEMINAR REVIEW
Published 2024-12-01“…Music has always been a magnet for the greatest minds of mankind considering it as a cultural phenomenon, as manifestation of Divinity, and as a specific art form. Philosophic studies of music nature show that origins of spiritual culture can be seen as deep as in the earliest civilization periods. …”
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طوابع البرید التذکاریة المصریة عبر الحقب التاریخیة المختلفة کمصدر من مصادر المعلومات غیر التقلیدیة : دراسة ببلیومتریة...
Published 2019-01-01“…In the fourth place we findthe commemorative stamps that cover historical monuments and touristlandmarks by 17.9% with 257 commemorative stamps. Covers folk arts andcrafts. By 3.3% with 47 commemorative stamps.The Egyptian postage stamps were divided according to the dates of theirpublication to varying periods of time since 1925 - 2017.According to the language, Egyptian commemorative stamps, which werewritten in Arabic only, were equivalent to 1001 characters by 69.6%. …”
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Unbounded Solutions of the Difference Equation xn=xn−lxn−k−1
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Latin-Byzantine artistic interactions and the church of Saint Basil in Mržep (Montenegro)
Published 2024-01-01“…This monument stands out for the abundance of available information on its history, including the name of the painter (Mihailo), the identity of the donor (Stefan Kalođurđević) and even the date of its construction and pictorial decoration (1451). Nevertheless, the art-historical debate has been mostly puzzled by the melange, Latin-Byzantine character of the painted images, which has been explained as an outcome of the Union of the Orthodox and Roman churches declared at the Council of Ferrara-Florence in 1438-1439. …”
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Perception of Dora Pejačević in Croatian Public Printed Media from 1905 to 1945
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