Stefan Prey, Algorithmen zur Satztechnik und ihre Anwendung auf die Analyse, Phil. Diss., Universität Osnabrück 2012 Immanuel Ott, Methoden der Kanonkomposition bei Josquin Des Pr... by Michael Polth

Subjects: “…teaching music theory…”
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Unpleasant Operas or French Music Drama as Heard by Corno Di Bassetto by Eduardo Valls Oyarzun

“…The status of George Bernard Shaw as an opera critic—a position he filled under the pen-name ‘Corno Di Bassetto’ in different periodicals such as The Star and The World—has been somewhat overlooked in the canon of late Victorian journalism. However, his critique of the 1880–1890 opera performances stands alone in its own right as the most influential early modern critical discourse on music drama in the British milieu. …”
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Renegotiating the Borders of National Culture: Polish Émigré Composers and National Music Histories in the Twentieth Century by Lisa Cooper Vest

“…The conveners seek to reintroduce oft-omitted émigré artists into the canons of Polish national music history. In so doing, the volume serves as a successful and useful tool, introducing readers to new repertoire and inviting them to pose complex questions about the various motivations and effects of artists’ cultural mobility. …”
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AN EVOCATION OF ION VIDU 150 YEARS AFTER HIS BIRTH. HIS ACTIVITY AS A COMPOSER AND A CONDUCTOR by Ion-Alexandru ARDEREANU

“…A memorable figure of the musical scene from Banat, the founder and promoter of the Orthodox choral movement for which Banat is known even internationally, Ion Vidu can righteously be defined as a most complex cultural personality whose legacy entitles him to be called a canonical composer for the history of the Romanian choral music and a remarkable conductor, teacher, publicist and organizer of the cultural life in Banat in general and of the choral movement in the same area in particular. …”
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Kombination und Rekombination in der Renaissance by Immanuel Ott

“…A distinctive feature of the music of the 15th and 16th centuries is the use of pre-existent music as the basis or starting point for a new composition. …”
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La suite La folía argentina. Un encuentro entre el legado hispano y la música folklórica argentina by Antonio Nicolás Tolaba, Leonardo Giamminola

“…El presente trabajo busca resignificar el esquema armónico-melódico denominado folía dentro de los cánones de las danzas argentinas y sus géneros musicales, contrastando formas y parámetros sonoros a partir de un análisis del repertorio de ambos universos musicales. …”
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The evolution of historical forms of chinese theater and integration of visual arts by HAN LIN

“… China's national musical theater emphasizes its uniqueness and close connection with China's cultural and philosophical traditions. …”
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Sposobin Remains. A Soviet Harmony Textbook’s Twisted Fate in China by Wai Ling Cheong, Ding Hong

“…The book soon attained canonic status in China and has been used in virtually all Chinese music institutions up to the present day. …”
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

“…Armed with silence and the weight of the unsaid, tucker green carves a musical score haunted by ghost melodies produced by compositional techniques akin to musical counterpoint, arpeggios and the canon. …”
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Factor de riesgo suicida según dos cuestionarios, y factores asociados en estudiantes de la universidad nacional de Colombia sede Manizales by José Jaime Castaño Castrillón, Sandra Constanza Cañón, Marcela Betancur Betancur, Paula Lorena Castellanos Sánchez, Johanna Guerrero González, Alejandra Gallego Rivas, Catalina Llanos Calderón

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Texts by Petrus Wilhelmi de Grudencz in the context of the late medieval ars poetriae by Bartosz Awianowicz

“…In his work, Eberhard of Bremen offers a clear categorization of poetry into poesis metrica based on Classical poetic metres, poesis rithmica or rigmica based on rhyme and rhythm, and a less restricted form of sacred music, known as prosa. Among Petrus Wilhelmi’s 22 compositions (with an acrostic of his name) published by Jaromír Černy, and a dozen or so others identified during the last two decades only two – the composition Presulis eminenciam (I/1), which opens Černý’s edition, and canon (rotulum) Pneuma erumpnosi telluris rei – can be classified as rhythmicized prose from the perspective of the medieval ars poetriae. …”
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“Kyrie paschale” in Polish Organ Tablatures from the First Half of the 16th Century – Problems of Style and Attribution by Grzegorz Kos

“… This article is devoted to an analysis of the intabulations of the ‘Kyrie paschale’ preserved in the so-called Lublin Tablature and in an organ tablature from the monastery of the Canons Regular of the Holy Ghost in Cracow. The intabulations are arrangements of consecutive sections of the plainchant melody Kyrie ‘Lux et origo’ and constitute sequences of segments (or modules) of a Mass in which organ music alternates with plainchant. …”
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