The Artist’s Intent in Flux by Rebecca Gordon, Erma Hermens

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De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ? by Muriel Verbeeck

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The Contemporary Artwork Between Meaning and Cultural Identity by Paolo Martore

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Artists in Resi/stance by Volker Küster

“… Artists are often at the forefront of protest movements. …”
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Salvador Muñoz-Viñas, On the Ethics of Cultural Heritage Conservation.

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Framing Colonial Australia: A Socio-historical Articulation of the Display of Art by Anita Gowers

“…Remarkably, Australian art historians have published little on frames of Australian colonial artists and more specifically the framing intentions of the artists themselves. …”
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RADIO PLAYS AS A SPECIAL GENRE IN THE WORK OF E. JELINEK by Tatiana V. Akasheva, Alexandra D. Zharkova

“…Elinek of the early period and highlight their main themes and stylistic features of the text, allowing to realize the intention of the author. Materials and methods. …”
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Les peintures mates d’Antoine Wiertz (1806-1865) by Karine Janssen

“…Faced with the works of Antoine Wiertz, a question arises: Is the washed-out and mat appearance of some of his paintings an artistic intent, or a consequence of alteration. Painted with a technique developed by the artist to achieve a matt appearance, these works are in fact subject to a slow degradation process. …”
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Le jardin, lieu esthétique d’un (dés)ordre humain : la naturalisation du politique et du littéraire chez Claude Simon et Patrick Chamoiseau by Hannes De Vriese

“…The gardener must negotiate a balance ; he does not present himself as a collector of plants to be arranged, but as an artist intent on achieving “relational aesthetics” (Bourriaud, 1998). …”
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A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love Me by Fabiola Rocco

“…The dialogue with the artist was necessary and helpful to understand the artist’s intention and the meaning of the oeuvre, in order to perform a conscious conservation treatment.…”
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The conservation treatment of a contemporary collaged sculpture by Jiří Kolář (1914-2002) by Jessica Crann

“…The ethical implications raised in conserving a contemporary artwork were an important aspect and subsequently an understanding of the materials and structure, the artist’s intentions, concept and meaning of the artwork formed a large part of the research. …”
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Interrogating Okooro Masquerade: A Structuralists Reading of the Costumes by Segun Omosule

“… There is a gulf between the script and the artist's intention when analyzing indigenous festivals. …”
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Trans Europe Express, study and restoration of a major artwork by Dorothée Selz by Marie Courseaux

“…The research determined the phenomena and factors of degradation, established appropriate treatment, respecting and documenting the  intentions of the artist, who has also participated in this restoration.…”
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Theoretical issues in the conservation of contemporary art by Rosario Llamas-Pacheco

“…Transformation has an impact on the artistic intention, therefore, and since it is impossible to avoid the change, a deep reflection is necessary on the concept of premature ruin. …”
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Trans Europe Express, étude et restauration d’une œuvre de Dorothée Selz by Marie Courseaux

“…The research determined the phenomena and factors of degradation, established appropriate treatment, respecting and documenting the intentions of the artist, who has also participated in this restoration.…”
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Abstract expressionism and its relationship to visual attraction In the designs of modern women's fabrics by Haider Hashim Mammuod Al – Husseini

“… In the midst of the technical and artistic acceleration that we witnessed in our modern world and its development among nations and people. …”
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La volonté politique de commémoration des morts appartient aux vivants by Audrey Rousseau

“…Frequently referred to as the "duty of memory,” the understanding of what has been done and what can be done, do not only require observing the presence of arranged material or analyzing the intentions of the creators. It also involves taking into account cultural transmission and memory process which engage the subject-spectator to the time of interpretation. …”
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Madame Bovary et ses trente-quatre « vous », ou le retour du refoulé by Alain Vaillant

“…Flaubert, as we all know, is the artist of impersonality, of the elocutionary disappearance of the novelist. …”
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Escritura publicitaria en el tránsito entre el medievo y la modernidad by Alejandro García Morilla

“…Hence, it has been the mechanism used, among others, by artists and sculptors to accompany their iconographic programs with the intention of completing them and offering greater communicative depth than that which can be achieved solely with images. …”
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Oscar Wilde and la critique impressionniste by Richard Hibbitt

“…It shows how Wilde’s views of criticism in the essays collected in Intentions are prefigured by Anatole France and Jules Lemaître, and how the dialogic discussion of art in ‘The Critic as Artist’ itself prefigures a real-life debate between France and the conservative critic Ferdinand Brunetière, who rejected the ‘subjective’ approach as ‘impressionist criticism’. …”
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