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    Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films by Elise Pereira Nunes

    Published 2016-07-01
    “…Likewise, Waters’s emulations of the mondo films, pseudo-documentaries depicting sensational topics and supposedly real barbaric human behaviors all around the world, have also contributed to gross out his audiences. This article will focus on the filmmaker’s choice to borrow specific codes and motifs of exploitation cinema, leading to the elaboration of a hybrid, trash cinema humorously proposing an alternative vision of the world, giving visibility to social outcasts, questioning society’s norms and debunking gender roles. …”
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