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    Hardy, Galileo and the Art of Transgression by Nathalie Bantz-Gaszczak

    Published 2014-06-01
    “…At the same time though, his art developed writing devices that have his texts harbour unconventional meanings. …”
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  5. 145

    The Imprint of the War in Ford Madox Ford’s Critical Writings by Isabelle BRASME

    Published 2020-06-01
    “…In the early months of the First World War, Ford wrote prolifically about the future of literature and on a broader scope, of civilisation and human psychology; in his “Literary Portraits” that were published in Outlook, he showed remarkable prescience when it came to the consequences that the war would bear on the arts and on what he termed “the mind”. Yet when one examines the chronology of Ford’s non-fictional writing, and indeed of his literary work, one can sense a sharp dividing line that coincides with the moment when Ford enrolled in the British army in 1915, and was no longer a spectator from afar, but a direct witness of the unprecedented mass killing that was taking place on the front. …”
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