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1221
Lazarino de Manosco : une écriture féminine multiforme à la fin du xixe siècle
Published 2021-12-01Get full text
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El ave como cielo: la presencia del ave chan en las bandas celestes mayas
Published 2017-12-01Get full text
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1225
Modeling Frequency Data: Methodological Considerations on the Relationship between Dictionaries and Corpora
Published 2015-12-01Get full text
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1227
Neli Cornea: o scriitoare necunoscută și jurnalui ei de război
Published 2019-12-01Get full text
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1229
The pot, the cup and the jar: Coming together in/for stories
Published 2015-10-01Get full text
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1230
Analyzing the efficacy of outcome-based education in Kurikulum Merdeka: A literature-based perspective
Published 2023-12-01Get full text
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1232
Exploiter un corpus de données textuelles sans post-traitement : l’écriture burlesque de la Fronde
Published 2021-12-01Get full text
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Revealing the rhetorical moves and linguistic patterns in discipline-related undergraduate thesis
Published 2022-08-01Get full text
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1235
A Multimodal Discourse Analysis on Street Graffities about Indonesian Police
Published 2025-02-01Get full text
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1236
Collaborative Encoding of Text Genesis: A Pedagogical Approach for Teaching Genetic Encoding with the TEI
Published 2020-04-01Get full text
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1237
A Critical Study of Book of Historiography: An Introduction
Published 2020-07-01Get full text
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1239
Self-mentions in design area disciplines: A corpus analysis
Published 2025-01-01“…A quantitative approach using the method employed by Hyland in 2001 [23] explored a corpus of 100 academic empirical and theoretical articles on visual arts, design, architecture, and art and design education (25 for each discipline) obtained from Q1 and Q2 journals listed in the Visual Arts and Performing Arts subject area of Scopus. …”
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1240
« Moments of Vision » : l'écriture de Thomas Hardy
Published 2009-04-01“…The visual quality of things is put into relief by Hardy's art. At the same time, the one who watches often loses himself or herself in the act of watching, by being absorbed into the object of his or her gaze. …”
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