Les faux, les copies, les restaurations intensives, les erreurs d’attribution dans les arts du métal : un champ d’application de l’archéométrie ? by Lucien Martinot

“…In this paper, we evidenced three typical researches capable of supporting historians of art and curators opinions.…”
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ABOUT THE SYSTEM OF PRACTICE-ORIENTED SCIENTIFIC AND TECHNICAL CREATIVITY by A. A. Maltseva, N. E. Barsukova, E. V. Klyushnikova

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Piloting creative engagement strategies to explore themes of parenthood with fathers by Iryna Culpin, Iryna Culpin, Catherine Lamont-Robinson, Mark Billington, Matthew James, James Prewett, Gareth Ward, Mireia Bes Garcia, Giovanni Biglino, Giovanni Biglino

“…Fathers' experiences of contemporary arts varied greatly; yet all fathers confidently shared responses ranging from photographers' representation of masculinity and fatherhood and perceptions of what was excluded or privileged within this very specific curation. …”
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Researchers and Research Data: Improving and Incentivising Sharing and Archiving by Minna Ventsel, Beth Montague-Hellen

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ESRC Research Data Policy in a Changing Landscape by Paul Allanson, Angela Daly, Awais Elahi, Alistair Geddes, Maeve Malone, Niamh Nic Daeid, Lucille Tetley-Brown

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Research Data Lifecycle (RDLC) by Jie Jiang, Danielle Maurici-Pollock, Rong Tang

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Starting with the Digital Doesn’t Make it Easier by Amanda Boczar

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Data Makers and Users' Views on Useful Paradata by Isto Huvila, Lisa Andersson, Olle Sköld, Ying-Hsang Liu

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In Sharing We Trust. Taking Advantage of a Diverse Consortium to Build a Transparent Data Service in Catalonia by Clara Llebot, Mireia Alcalá, Lluís M. Anglada i de Ferrer

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The Standardized Data Management Plan for Educational Research by Sebastian Netscher, Harald Kaluza, Reiner Mauer, Kati Mozygemba, Karsten Stephan

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Sawan: exploring the knowledge and wisdom of Javanese traditional healing practices by Suyami Suyami, Fakhriati Fakhriati, Ninawati Syahrul, Devi Fauziyah Ma’rifat, Sumarno Sumarno, Yustina Hastrini Nurwanti, Titi Mumfangati, Mirna Yusuf, Pantaria Noor Fitri Hapsari, Triyasinta Noor Laksmita Dewi

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The Making of History – or the Synergy Effect Between Contract Archaeology, the Conservation Institute and Museums by Vivian Smits

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Les biocides dans les collections – persistances toxiques, relectures critiques et nouvelles pratiques by Lucie Monot, Isabel Garcia Gomez, Lotte Arndt

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The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th Century by Mariam Nikogosyan

“…A special school was established by the Hermitage studio in 1819, supervised by Mitrokhin, were young graduates of Imperial Academy of Art were taught both mechanical and painting restoration. …”
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The Early History of Preventive Conservation in Great Britain and the United States (1850–1950) by Simon Lambert

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La conservation-restauration en spectacle : les dessous des chefs-d’œuvre révélés dans les expositions by Claire Casedas

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Les substances radioactives dans les objets patrimoniaux by Marion Daval

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De la restauration à l’exposition : à la recherche de sens et de cohérence by Christine Benoit, Paméla Grimaud, Claude Badet, Elisabeth Mognetti, Roland May

“…During the alloted time for restoration, studies and interventions of numerous actors –conservators, curators, art historians, photographers and conservation scientists – have been focusing on the achievement of the restoration. …”
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Étude comparative de substances bioactives pour la protection des biens patrimoniaux contre les insectes ravageurs by Grazia Nicosia, Fabien Fohrer, Yoanna Dechezleprêtre, Virginia Gisel de Billerbeck

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Writing about displays of sculpture: historiography and some current questions by Malcolm Baker

“…These questions are examined here in terms of changing approaches within the discipline of art history as well as the options open to the curator.…”
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