Du Bestiaire dans le théâtre de W.B. Yeats by Pierre Longuenesse

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Yeats et le mélange des genres : du texte à la scène by Pierre Longuenesse

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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os by Pierre Longuenesse

“…In The Dreaming of the Bones, written after the turmoil of the 1916 Easter Rising, Yeats presents, following the Noh tradition model, a young rebel fugitive confronted by two ghosts, caught half-way between past and present, dream and reality. …”
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Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

“…A strange alliance thus took place between the poet, the actor, and a voice tradition seemingly very far from the “yeatsian utopia”. Nevertheless, Yeats’s reference when he aims at the ecstasy or “tragic joy” of his drama’s heroes remains those magnetic french “golden voices”.…”
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