La Vision artistique de la montagne : panorama, pli ou plongée ? by Marie-Madeleine Martinet

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Reading the Colours of Victorian Interiors: The Poetic Home Revisited by Charlotte Ribeyrol

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D. G. Rossetti’s Trip to Paris and Belgium: A Journey Between Past and Present by Raphaël Rigal

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Thick as Trees: Kinship and Place in Transatlantic Small Press Poetry Networks by Ross Hair

“…L’exemple paradigmatique de la maison d’édition Jargon Society de Jonathan Williams illustre ces liens littéraires qui esquissent la constitution d’un canon ou d’une tradition. …”
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Le Tigre, le Louvre et l’échange de connaissances archéologiques visuelles entre la France et la Grande-Bretagne aux alentours de 1850 by Mirjam Brusius

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Du baromètre au piolet, cent cinquante ans de visions britanniques de la montagne by Michel Tailland

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Rise of Love and the People: French Matter and Manner in the Early Victorian Drama of Edward Bulwer-Lytton by Ana Fernández-Caparrós Turina

“…In the short period between 1837, when Queen Victoria came to the throne, and 1843, when the Theatre Regulation Act amended the Licensing Act of 1737 and thus reconfigured theatrical freedom and production in the United Kingdom, the fruitful collaboration of renowned novelist Edward Bulwer-Lytton and actor and theatrical manager William Charles Macready would prove to be decisive in shaping early Victorian drama and setting high standards in production and artistic integrity, which would be followed by successive managers. …”
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Lui, « pour toujours, a embrassé ma bouche, toute frémissante » : Paolo et Francesca dans la peinture préraphaélite et esthétique by Anne-Florence Gillard-Estrada

“…Coupin de la Couperie et J.A.D. Ingres, et par des artistes britanniques, comme William Dyce. …”
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‘Wisdom is a gift given to the Wise’: Florence Farr (1860–1917): New Woman, Actress and Pagan Priestess by Muriel Pécastaing-Boissière

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Better Than the Real Thing: Processed Reality in Victorian Art and Fiction by Béatrice Laurent

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De l’unité des arts comme résistance : The Claims of Decorative Art de Walter Crane by Isabelle Cases

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Charles Dickens et le « nouveau pittoresque » by Nathalie Vanfasse

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Walter Crane : de l’album considéré comme un des Beaux-Arts by Isabelle Guillaume

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