Duncan’s Open Form and Cagean Intermedia: The Practice of “Theatre” After Black Mountain by Edward Alexander

“…What is Duncan’s allusion to John Cage’s “open scales” doing at the end of “Passages 17”? Roughly contemporaneous with Jack Spicer’s “Poetry as Magic” workshop, Charles Olson’s west coast delivery of the Special View of History lectures and Duncan’s staging of Medea at Colchis were Cage’s classes on experimental composition at the New School for Social Research. …”
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Quais et ouvrages portuaires romains de Rouen/Rotomagus (Seine-Maritime) by Marie-Clotilde Lequoy

“…The ancient port of Rouen/Rotomagus remains little known despite the discovery of two docks, one situated to the west of the city, and the other to the east. Both are attributed to the 1st c. …”
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