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  1. 141

    Confused Flour Beetle, Tribolium confusum Jacquelin du Val and Red Flour Beetle, Tribolium castaneum (Herbst) (Insecta: Coleoptera: Tenebrionidae) by Rebecca Baldwin, Thomas R. Fasulo

    Published 2005-02-01
    “…Published: June 2003. Revised: January 2004. EENY289/IN566: Confused Flour Beetle, Tribolium confusum Jacquelin du Val (Insecta: Coleoptera: Tenebrionidae) and Red Flour Beetle, Tribolium castaneum (Herbst) (Insecta: Coleoptera: Tenebrionidae) (ufl.edu) …”
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  2. 142

    Confused Flour Beetle, Tribolium confusum Jacquelin du Val and Red Flour Beetle, Tribolium castaneum (Herbst) (Insecta: Coleoptera: Tenebrionidae) by Rebecca Baldwin, Thomas R. Fasulo

    Published 2005-02-01
    “…Published: June 2003. Revised: January 2004. EENY289/IN566: Confused Flour Beetle, Tribolium confusum Jacquelin du Val (Insecta: Coleoptera: Tenebrionidae) and Red Flour Beetle, Tribolium castaneum (Herbst) (Insecta: Coleoptera: Tenebrionidae) (ufl.edu) …”
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  3. 143

    Without Pictorial Detour: Benjamin, Mies and the Architectural Image by Lutz Robbers

    Published 2016-04-01
    “…It can be argued that architectural knowledge was of crucial importance to Walter Benjamin for elaborating his version of an anthropological historical materialism. …”
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  4. 144

    Barrès contre Ruskin by Jessica Desclaux

    Published 2020-06-01
    “…However Barrès resisted Ruskin’s ideas, due to his interest in the Italian Renaissance, to his greater affinity with the tastes and sensibility of Walter Pater and of Stendhal, and also maybe as a reaction to fashion, as his satire of Ruskin’s pilgrims shows. …”
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  13. 153

    Constelações pós-utópicas: sobre a poesia de Haroldo de Campos by Diana Junkes Bueno Martha

    Published 2017-01-01
    “…A partir de un movimiento de revisión del principio-esperanza de la vanguardia, de las lecturas que realiza de la obra de Walter Benjamin, estimulado también por la lectura de Los hijos del limo de Octavio Paz, Haroldo de Campos sostiene en este ensayo, como lo había ya hecho en ensayos anteriores, la necesidad de una poesía de la agoridad que corresponda a un contexto post-utópico. …”
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