L’universalité de la sylloge épigraphique de Gaetano Marini (1742-1815) : le statut philologique des monogrammes du premier millénaire chrétien by Isabelle Mathian

“…He was, however, a first-rate epigraphist, palaeographer, archivist and curator: not only for the quality of his research, but also for his place at the Vatican, at the heart of the museum developments and the vicissitudes of the Napoleonian confiscations. …”
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Des œuvres en morceaux et des trous sur les murs. La difficulté d’écrire la vie des œuvres du Pérugin au XIXe siècle by Éloïse Dumas

“…Those from Perugia never returned to the Louvre but were kept for the new Vatican Pinacoteca. Entry into the museum represented a turning point in the life of the works. …”
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