VARIATIVITY PRINCIPLE IN MUSICAL TRAINING AT THE UNIVERSITIES OF MUSIC PROFILE by Veronika S. Korina

“…The individual students’ itineraries and individual educational modules are designed on the base of variative approach. The author represent the conception of variative education in the sphereof music. …”
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Generation of Variations on Theme Music Based on Impressions of Story Scenes Considering Human's Feeling of Music and Stories by Kenkichi Ishizuka, Takehisa Onisawa

“…This paper describes a system which generates variations on theme music fitting to story scenes represented by texts and/or pictures. …”
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CORNEL ŢĂRANU – VALENTIN STREINU: MUSICAL-POETIC CONNECTIONS by Ciprian Gabriel POP

“…The analysis focuses on the following coordinates: the idea of continuous variation as a developing principle of musical discourse; the idea of sonorous material – from the point of view of its development, of rhythm, of form used to elaborate on structures and of the type of accompaniment as supporting the poetic aura. …”
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Musical Manifestations of Textual Patterning in Estonian Regilaul by Janika Oras

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Music Activities for Language Learning in the Spanish Classroom by Manuel Vidal, Christine Ericsdotter Nordgren

“…Although it is widely recognised by language teachers that the use of musical activities supports language development in both children and adults, studies show that teachers do not use them as much as they would like. …”
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Music and Gesture—New Perspectives in Conducting and in Education by Riccardo Lombardo

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ELEMENTS OF THE MUSICAL DISCOURSE IN “FUM (SMOKE)” BY DOINA ROTARU by Şerban MARCU

“…We also highlight the articulation of musical discourse in relation to symbolic structural principles: circular or spiral shapes, sacred numbers. …”
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“It will discourse most eloquent music”: Sonifying Variants of Hamlet by Iain Emsley, David De Roure

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Studying Problems of Art Interpretation in Music at University of Culture by S. Yu. Lysenko

“…It became clear that traditional Art studies using conventional conceptual system are not ready for up-to-date reading of the classical heritage and there are no clear criteria for assessment of the topical artistic solutions for classics, especially in musical theatre. The range of interpreters’ methods are rather wide – from authentic reconstructions to free stage variations and games with author’s meanings. …”
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Exploring the Intersection of ADHD and Music: A Systematic Review by Phoebe Saville, Caitlin Kinney, Annie Heiderscheit, Hubertus Himmerich

“…These challenges can impact various cognitive and perceptual domains, including music perception and performance. Despite these difficulties, individuals with ADHD frequently engage with music, and previous research has shown that music listening can serve as a means of increasing stimulation and self-regulation. …”
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The Americanization of Arnold Schoenberg?. Theory, Analysis, and Reception by John Covach

Subjects: “…musical form…”
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DENTAL SERVICES – TO FEAR OR NOT TO FEAR? THE EFFECT OF MUSIC ON PAIN PERCEPTIONS by Ancuța REMETE, Laura BACALI, Marcel Ciprian POP, Brîndușa Mariana BEJAN, Monica BOGDAN, Andrei PICOȘ

“…The results showed significant variations for subjects exposed to music, which were most evident in the right parietal cortex, which is responsible, among other things, for the emergence of positive emotions. …”

AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY by Luminiţa GUŢANU

“…The musical discourse comes into being under the influence of folk melodies, which imprints a variational character on the sound developments, facilitated by the episodic repetitions of the form of rondo (D. …”
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Music Generation Using Deep Learning and Generative AI: A Systematic Review by Rohan Mitra, Imran Zualkernan

“…The study examines common data representations in music generation, including raw waveforms, spectrograms, and MIDI, alongside the most prominent deep learning architectures like Generative Adversarial Networks (GANs), Recurrent Neural Networks (RNNs), Variational Autoencoders (VAEs), and Transformer-based models. …”
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Performing Structure. Tempo in Glenn Gould’s “Goldberg Variations” by Michael Rector

“…In a scripted conversation with music critic Tim Page, Gould described the “rhythmic reference point” in his 1981 recording of Bach’s “Goldberg Variations.” …”
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Using Linear Mixed-Effects Models to Analyze Historical Trends in Performance Strategies . Commentary on Majid Motavasseli’s Article “Interpretation of Cyclic Form in Bach’s ‘Goldb... by Bruno Gingras

Subjects: “…statistical-quantitative methods of music analysis…”
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The Performance of Beethoven’s “Diabelli Variations”. Continuity, Discontinuity, Cyclic Integration, Irony by William Kinderman

“…This essay explores the performance challenges of Beethoven’s “Diabelli Variations”; it is paired with the author’s own studio recording of the work coordinated with the musical score. …”
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Three looks at users: a comparison of methods for studying digital library use. User studies, Digital libraries, Digital music libraries, Music, Information use, Information scienc... by Mark Notess

“…Compares three user research methods of studying real-world digital library usage within the context of the Variations and Variations2 digital music libraries at Indiana University. …”
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Synchron und diachron. Zum Zusammenhang zwischen Kontrapunkt und Prozessualität in romantischer Formensprache by Ariane Jeßulat

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Fondling Breasts and Playing Guitar. Textual and Contextual Expressions of a Sociomusical Conflict in Accra by Tobias Robert Klein

“…The wider aim of this article is to emphasise the need for a combination of cultural, historical and scientific competences in bridging the gap between a contextually inclined ethnomusicology and text-based music theory. The song’s musical and textual variations will thus – with due attention to its dense textual and performative strategies – simultaneously be described as social, cognitive, bodily and structural entities. …”
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