Preparation For Flight: The Physical Profile of Pre-Professional and Professional Circus Artists in the United States by Stephanie J Greenspan, Melanie I Stuckey

“… # Study Design Descriptive laboratory study # Methods Circus artists (n=201; ages 13-69y; 172 females ASAB, 29 males ASAB) from 10 cities across the United States underwent a baseline physical examination including shoulder, hip and trunk measures of passive (PROM) and active (AROM) range of motion, measures of flexibility (shoulder and hip), strength (manual muscle tests, grip strength), cardiovascular fitness (3 minute-step test), balance (single limb and handstand), and performance, (pull-ups, and the closed kinetic chain upper extremity stability test \[CKCUEST\]). …”
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The Samurai and the Artist: Henry Miller’s Reflections on the Death of Mishima by Wayne E. Arnold

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Spatial “Artistic” Networks: From Deconstructing Integer-Functions to Visual Arts by Ernesto Estrada, Puri Pereira-Ramos

“…We then show how these networks inspire an artist to create artistic compositions using mixed techniques on canvas and on paper. …”
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Harmonising careers: opera, hospitality and tourism industries unite to elevate graduate students employability by Sakhiseni Joseph Yende

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De l’unité des arts comme résistance : The Claims of Decorative Art de Walter Crane by Isabelle Cases

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Visions of Liberty, Rooms With Views. Squaring The Circle: Harriet Hale Woolley, Past & Present by Christopher Alexander Kostritsky Gellert

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Al confine tra ufficialità e underground. Forme di istituzionalizzazione della ‘seconda cultura’ sovietica by Alice Bravin

“… From the second half of the 1970s, some organizations of unofficial and independent artists and writers were created in the Soviet Union, which were officially recognized by Soviet authorities: in 1976 in the Moscow City Committee of Graphic Artists a section of painting was set up that united non-formal artists who exhibited their works in the halls in Malaia Gruzinskaia street; in 1981 in Leningrad the literary club “Klub-81” was created, a unique organization of unsanctioned writers under the direct control of the KGB; in 1985 an alternative literary association, the “Klub Poeziia”, was also founded in Moscow. …”
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Infants of the Spring (1932): Cutting across the Stage of Harlem’s Black Bohemia by Elisa Cecchinato

“…He did so focusing on the so-called “Niggeratti Manor,” a residence where some of the young Black artists of the Harlem Renaissance lived. At the time, New York was still organized along racially segregated lines and various factors were shaping the uptown neighborhood: the migration of Black Americans from the South to the North of the United States; the urban reforms that aimed to organize this migration; and the political, intellectual, and artistic production that accompanied the Black emancipation struggles. …”
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The Masquerade in the Marketplace: dele jegede's Introspections and Reflections In Colors and Lines by Toyin Falola

“…The discussion is centered on the artist as a scholar; the artist-scholar in Africa (Nigeria); and the artist-scholar in the Diaspora (United States). …”
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Performing Dissent: Pete Seeger and Paul Robeson before HUAC (1955-1956) by Jodie Childers

“…In this paper, I argue that the testimonies delivered by Pete Seeger and Paul Robeson before the House Un-American Activities Committee (HUAC) shed light on how left-wing artists performed their radical identities in response to allegations of un-Americanism during the height of McCarthyism. …”
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Mina Loy’s Surrealist Strategies of Renewal by Diane Drouin

“…The cosmopolitan avant-garde artist celebrates the “composite language” of the United States, and the ability of “the true American” to “ingeniously coin new words for old ideas.” …”
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Using Fabric Cutoffs to Create Branding Patchwork Designs Around Kabale Town. by Amutuheire, Anold

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Słowo - obraz - pamięć w labiryntach komiksu by Grażyna Gajewska

“…For it is not only the artistic level that has been much developed and improved, but also the thematic range of subject to be tackled by this form of literature. …”
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Piloting creative engagement strategies to explore themes of parenthood with fathers by Iryna Culpin, Iryna Culpin, Catherine Lamont-Robinson, Mark Billington, Matthew James, James Prewett, Gareth Ward, Mireia Bes Garcia, Giovanni Biglino, Giovanni Biglino

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John McHale, l’Amérique passée à la machine by Juliette Bessette

“…In 1956 the artist John McHale returned to London after spending a year at Yale University. …”
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Géographie, photographie, polygraphie : retour sur l’établissement d’une méthode d’enquête by Jordi Ballesta

“…From late 1960’s, in the United-States, and one decade after, in Europe, artistic works defined here as photo-geographical have deeply changed the representation of contemporary landscapes, focusing on common places and urban forms not influenced by the organizing principles of urban planning. …”
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Penser la musique, Écouter les images. Lectures de Cahiers d’art, Jazz et Documents sur le jazz et le cinéma américains by Diane Turquety

“…Marked by popular culture, the United States and the “exotic” touch embodied by the American black community, these entertainments were elevated to the rank of new forms of artistic expression, vectors of an ideal modernity. …”
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À la Recherche de Yankee Art by Dimitrios S. Latsis

“…A complex intertextual and intermedial web emerges from this comparison that reveals various tensions around an emerging “narrative” for the self-representation of the United States as a world-power and an artistically “emancipated” nation and provides a glimpse into a New Deal-era attempt at cultural diplomacy on the eve of WW II. …”
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BROOM: An International Magazine of the Arts (1921-1924) : une revue d’avant-garde américaine by Ambre Gauthier

“…It championed a vision of artistic creation that was plural and international, one in which the United States and Europe joined forces to produce universal works. …”
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Rock Music and The Political Scripting of Vietnam War: Reading Dispatches by Michael Herr by Lalit Kumar

“…The music industry played a pivotal role in reinforcing anti-war sentiments in the United States, exemplified by songs such as Buffy Sainte-Marie’s “Universal Soldier” and Phil Ochs’ “Vietnam Talking Blues.” …”
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