The Underground Railroad and the politics of narration in Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852) by Delphine Louis-Dimitrov

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Interpretation of H. Beecher-Stowe’s ideas in the novel “Uncle Tom’s cabin” in the context of G.M. Fredrikson’s concept of “romantic racism” by Elena G. Zueva, Illaria-Regina K. Lukhneva

“…The article identifies the reasons for the spread of the image of the Black slave as a born Christian in American society and interprets the ideas of Harriet Beecher Stowe in the novel “Uncle Tom’s Cabin, or Life Among the Lowly” according to the stated concept.…”
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Thomas Claviez. Aesthetics and Ethics: Otherness and Moral Imagination from Aristotle to Levinas and from Uncle Tom’s Cabin to House Made of Dawn. by Lefteris Kalospyros

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Biography versus Fiction or the Value of Testimony in Jacobs’s and Stowe’s Narratives about Slavery by Anne Garrait-Bourrier

“…Via l’approche d’extraits de textes tirés de l’autobiographie d’Harriet Jacobs Incidents in the Life of A Slave Girl, écrite sous le pseudonyme de Linda Brent et du roman de Harriet Beecher-Stowe Uncle Tom’s Cabin, nous soulignerons le témoignage historique commun qui ressort de ces deux textes. …”
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Circulating in Commonplaces: Harriet Beecher Stowe’s Celebrity Status in the Netherlands by Laurens Ham

“…The article pays attention both to the institutional and to the ideological situation, which can either facilitate or hinder the development of a so-called “celebrity society,” and shows that textual representations of Stowe did indeed circulate, but that this circulation did not take on the massive scale that seems necessary for a celebrity status. Whereas Uncle Tom’s Cabin was, by Dutch standards, an incredible success, journalists were only marginally aware of the authorial figure of Stowe herself. …”
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The History of Miss Jane Pittman by Christopher Mulvey

“…It was the publication of Harriet Beecher Stowe’s Uncle Tom’s Cabin in 1852 which showed William Wells Brown (and Frederick Douglass) that fiction might serve the abolitionist cause as much as a true narrative faithfully attested.In 1853, with the publication of his novel Clotel, William Wells Brown took African American narrative in a direction that was new and dangerous. …”
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