Published 2023-06-01
“…The Victims Wall forms part of the exhibition, in a room dedicated to the unfinished business of the
Truth and
Reconciliation Commission (TRC). The article argues that the cries and bruised bodies of the victims of apartheid, such as those of Mrs Calata, widow of Fort Calata, one of the Cradock Four victims, and of thousands of “ordinary people”, are
still reverberating down the decades to be heard and acknowledged by specifically White
South Africans. …”
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